STEP 3 of 251 Major Key improvisation : Learning to use 4 NOTE ARPEGGIOS (7th chord arpeggios) & arpeggio superimposition along with voice leading and approach notes/enclosures and triads to create licks/lines.
Here, I'm playing over a short ii-V-I in the key of C major - Dm7 , G7b9 | CM7 @110 bpm
Backing tracks and tabs have been created by me for this lesson.
Over Dm7 , I am using Dm7, Fmaj7 arpeggio.
Over G7b9 , I am using Abdim7 (Ab B D F). Ab = b9 here.
We are resolving to notes of C major7 - C E G B
I am also using approach notes and enclosures and good voice leading.
Techniques lick octave displacement and pivot arpeggios also used.
How to practise each lick -
1. Play it with different fingerings
2. play in in different positions on the freboard.
3. Practise in all 12 keys using the Circle of 4ths/5ths
4. Create rhythmic variations.
Gear -
Epiphone 339
Focusrite Scarlett 2i2 audio interface
FL studio 20 DAW
Neural DSP archetype Plini X for the clean tone.
Playlist of Jazz improv lessons :
[ Ссылка ]
MAJOR 2-5-1 Licks | Step 3 (DIMINISHED ARPEGGIOS)
Теги
jazz licksjazz lines251 licksbebop linesjazz phraseshow to play jazz lickshow to create jazz linestriadstriad jazz licksapproach notesenclosureschromatic licksarpeggiosjazz arpeggioschord tone soloingBarry Harrismelodic cells4 note arpeggios7th chord arpeggiosvoice leadingjazz improvisationjazz guitar lessonshow to play over chord changeshow to play through the chord changessoloing over chord changesjazz standards251 lines
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