LADY DAY at Emerson's Bar & Grill
by Lanie Robertson
WHAT:
Lady Day at Emerson’s Bar & Grill — Turn back the hands of time for an intimate evening with legendary jazz songstress Billie Holiday: Lanie Robertson’s play with music treats the audience to one last performance by the iconic singer. In 1959 in a seedy Philadelphia bar, just four months before her death at age 44, “Lady Day” takes us on a journey through the highs and lows of her tumultuous life, interspersed with stunning renditions of her beloved repertoire. Recommended for ages 16 and up: contains adult situations and explicit language.
WHO:
Written by Lanie Robertson
Directed by Wren T. Brown
Music Direction by Stephan Terry
Starring Karole Foreman as Billie Holiday
Produced by caryn desai
Presented by International City Theatre
WHEN:
Performances: Oct. 18 – Nov. 3
Thursdays at 8 p.m.:
Oct. 24, Oct. 31
Fridays at 8 p.m.:
Oct. 25, Nov. 1
Saturdays at 2 p.m.:
Nov. 2
Saturdays at 8 p.m.:
Oct. 26, Nov. 2
Sundays at 2 p.m.:
Oct. 27, Nov. 3
RECENTLY ADDED PERFORMANCE:
Sat, Nov. 2 at 2 pm
WHERE:
INTERNATIONAL CITY THEATRE
Long Beach Performing Arts Center
330 East Seaside Way
Long Beach, CA 90802
ICT Box Office number
562-436-4610
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LONG BEACH, Calif. (Sept. 10, 2019) — Turn back the hands of time for an intimate evening with legendary jazz songstress Billie Holiday when International City Theatre presents an acclaimed musical portrait of one of the greatest jazz and blues vocalists of all time. With Karole Foreman (ICT’s award-winning production of Fences) in the title role, music direction by Stephan Terry and Ebony Rep founding artistic director Wren T. Brown at the helm, Lady Day at Emerson’s Bar & Grill by Lanie Robertson gets a three-week run Oct. 18 through Nov. 3. Performances take place at International City Theatre’s venue in the Long Beach Performing Arts Center.
Robertson’s play treats the audience to one last performance by the legendary singer. In 1959 in a seedy Philadelphia bar, Holiday takes us on a journey through the highs and lows of her tumultuous life, interspersed with stunning renditions of her beloved repertoire. Unknown to her, Lady Day — a nickname bestowed on her by the great saxophonist Lester Young — is making her final appearance. More than a dozen musical numbers are interlaced with salty, often humorous, reminiscences to project a riveting portrait of the icon and her music. Among the songs heard in the show are “God Bless the Child,” “Crazy He Calls Me,” “T'ain't Nobody's Business If I Do” and “Strange Fruit.”
The playwright was inspired by a performance Holiday gave before a very small audience in a Philadelphia club (not named Emerson's Bar & Grill) just four months before her death at age 44. She was, by then, a shell of her former self, her vocal skills diminished due to too many years of heroin and alcohol abuse. But despite her vocal shortcomings, her connection to her music and to her audience never wavered.
Lady Day at Emerson's Bar & Grill premiered at the Alliance Theatre in Atlanta, Georgia in 1986 and was produced off-Broadway at the Vineyard Theatre later that year, winning the 1987 Outer Critics Circle Award for “Best Off-Broadway Book.” It opened on Broadway at Circle in the Square in 2014 starring Audra McDonald, who won her record-breaking sixth Tony Award for the production and became the only person to win in all four acting categories, this time for Best Actress in a Play. The Broadway production was later filmed at the Cafe Brasil in New Orleans and broadcast on HBO.
The creative team for the ICT production includes set designer Yuri Okahana, lighting designer Donna Ruzika, costume designer Kim DeShazo, sound designer Corwin Evans, prop designers Patty and Gordon Briles, and hair and wigs designer Anthony Gagliardi. Casting is by Michael Donovan.
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