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LYRICS / كلمات

الكل عم بتجوز

وعود وعود وعود
مش راح نتعلم من اللي فات
كلمات كلمات كلمات
ضاعت الحروف بين الغباش

الكل عم بتجوز حولي
وانا مش عارف راسي من اجري
الشغلة مش أني مش بدّي
الشغلة إنّو بيتي على قدي

مليان ناس ووجوه
بتيجي وتروح متل السحاب
رسالات رسالات رسالات
بين الخطوط جوا الكتاب

قربنا عالتلاتين عالتلاتين عالتلاتين
مش عارف اعطي حياتي لمين
قربنا عالتلاتين عالتلاتين الله بعين
مش عارف كيف مرقت السنين

الكل عم بتجوز حولي
وانا مش عارف راسي من اجري
الشغلة مش أني مش بدّي
الشغلة إنّو تختي على قدي

ويصير شو ما يصير
انا بتحمل المصير
يكون شو ما يكون
يبكو ويحكو اني مجنون

انا مش مجنون
انا مش مجنون
انا مش مجنون

الكل عم بتجوز حولي
وانا مش عارف راسي من اجري
الشغلة مش أني مش بدّي
الشغلة إنّو راسي على قدي

قربنا عالتلاتين عالتلاتين عالتلاتين
قربنا عالتلاتين الله بعين




Bashar Murad is a Palestinian singer, lyricist, director and composer born and raised in Jerusalem. Bashar uses pop music and art as a vehicle to challenge stereotypes, normativity and to highlight social issues facing young generations of urban Palestinians.
Bashar grew up surrounded by the works and compositions of one of Palestine’s most innovative bands Sabreen. Since 2018 Bashar has been producing genre-bending music defying patriarchal and oppressive structures present within his immediate environment.

His works include “Shillet Hamal” (Bunch of Bums), Ilkul 3am Bitjawaz (Everyone’s Getting Married) and the United Nations commissioned song and music video for “Ana Zalameh” (I Am A Man) all garnering regional and global attention. Apart from the unique sound which Bashar managed to carve himself on the Palestinian and regional music scenes, he also accompanies his works with spectacular visual works testifying to his playful imagination. He has also directed music videos for other Palestinian artists including DAM's Emta Njawzek Yamma.
In June 2021 Bashar Murad released his debut E.P. “Maskhara” (Arabic for “Mockery”). The work is a masterpiece of escapist sonic finesse, blending his native Jerusalem reality with a distinct pop style and genre-bending aesthetics. For the E.P. Murad has collaborated with pioneering Palestinian hip hop artist Tamer Nafar (DAM), recruited the brilliant oud mastery of Said Murad and Wisam Murad (Sabreen) and called on the expertise of world-class American producer Gannin Arnold.
He has been featured in articles from CBC, The Guardian, the Globe, The Mail and the BBC, with the press describing him as “The Palestinian singer blurring gender lines” and a “slightly built, mild-mannered Arabic provocateur.”

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