(14 Sep 2018) SPAIN MALEVICH EXHIBITION
SOURCE: ASSOCIATED PRESS
RESTRICTIONS: AP CLIENTS ONLY
LENGTH: 6:14

ASSOCIATED PRESS
Malaga, Spain - September 14th, 2018
1. Wide of people entering the exhibition "Kazimir Malevich" in Malaga's branch of the St. Petersburg Russian State Museum
2. Wide of (L- R) Manager of St. Petersburg Russian State Museum in Malaga, Jose Maria Luna; St. Petersburg Russian State Museum director, Vladimir Gusev; Malaga's mayor, Francisco de la Torre; exhibition curator Eugenia Petrova standing in front of "Black square" series by Kazimir Malevich
3. Malaga's mayor and Petrova looking at exhibition
4. "Red cavalry" by Kazimir Malevich, 1932
5. Manager of St. Petersburg Russian State Museum in Malaga, Jose Maria Luna talking with other managers of Spanish museums
6. "Head of peasant", early 1930s
7. Various of "Sportsmen" 1930-1931
8. SOUNDBITE (Spanish) Jose Maria Luna, Manager of St. Petersburg Russian State Museum in Malaga:
"Undoubtedly, Kazimir Malevich is together with Picasso, Kandinsky and Matisse the poker of aces of 20th century art. From that first third of the 20th century art is defined until nowadays and probably in the future. They break with the traditional mode of representation, with a way that comes from Renaissance painting and they open other areas to the world of artistic creation, of plastic creation, which is still being explored. And those are Matisse, a man from Málaga who is Pablo Picasso, and two Russian gentlemen: Kandinsky and Kazimir Malevich."
9. Kazimir Malevich self-portrait, 1910-1911
10. Various of "Relaxing (society in top hats)", 1908
11. Kazimir Malevich "self-portrait (study for a fresco painting)", 1907
12. "Perfected portrait of Ivan Klium",
13. Focus and zoom out of "Suprematism", 1915
14. Person talking notes while looking at "Suprematism. Supremus Nº 56", 1916
15. Tilt up of "Suprematism", 1915-1916
16. Focus on "Black square" and "Black cross", 1923
17. "Black square", "Black cross" and "Black circus", 1923
18. Zoom in "Black square", 1923
19. SOUNDBITE (Russian) Eugenia Petrova, exhibition curator and artistic director of St. Petersburg Russian State Museum:
"For Malevich, the "Black Square" is null, it is nothingness, it means his feeling towards something unknown, towards something new."
20. Tilt up of "Gota. Architecton", 1923
21. Wide of visitors passing by,"Red square" is behind
22. Various of "Red square", 1915
23. SOUNDBITE (Russian) Eugenia Petrova, exhibition curator and artistic director of St. Petersburg Russian State Museum:
"Malevich reckoned that in order to transmit emotions, in order to thrill the spectator, it is not necessary to make (the objects) real. The colour and the forms are enough to express."
24. Zoom out of "Girl in the countryside", 1928-1929
25. Wide of visitors at the exhibition
26. "Female torso", 1928-1929 and "Three female figures", early 1930s
27. "Girls in the field", 1928-1929
28. Tilt up of "Harvesting (study for a painting)", 1928-1929
29. "Head of a peasant", early 1930s
30. Various of "Red cavalry" by Kazimir Malevich, 1932
31. SOUNDBITE (Spanish) Jose Maria Luna, Manager of St. Petersburg Russian State Museum in Malaga:
32. Zoom out from close of a little black square to wide of Kazimir Malevich "self-portrait (artist)", 1933
33. Tilt down of Kazimir Malevich "self-portrait (artist)", 1933
34. St. Petersburg Russian State Museum director Vladimir Gusev, exhibition curator Eugenia Petrova talking
35. "Portrait of the Artist's wife", 1933
38. Various of "Death mask of Kazimir Malevich", 1935
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