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Lisette Oropesa--soprano
Dresdner Philharmonie
Daniel Oren--conductor
2022
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BBC Music Magazine July 2022
A lighter-voiced Violetta than many, leaning more towards the lyric than the dramatic, she sings with a consistent, shimmering beauty, effortless legato and an endearing sense of character...There are many competing interpretations, many by classic casts of the past, but do find space in your collection for this new Traviata – and witness the blossoming of a soprano who is possibly the Violetta of our day.
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Fanfare Nov/Dec 2022
Oropesa is a superb Violetta...what one remembers above all about her Violetta is how beautifully sung it is. Oropesa is in complete command of the coloratura in “Sempre libera,” including a brilliant high E♭ to cap it off. Most impressive is her ability to balance dramatic expression with a beautiful legato, as in “Dite alla giovine” and “Addio del passato.”...one of the most satisfying portrayals in years.
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Gramophone Magazine September 2022
Oropesa represents a break from the Violettas of decades past with her clean vocalism and way of inhabiting the role from within, minus a lot of external emotional signalling.
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Presto Music May 2022
The passion and pathos of Oropesa's vivid, truly three-dimensional Violetta registers just as keenly on this studio-recording as it does on stage, and the sheer gorgeousness of her singing (from the manic pyrotechnics which close Act One to the exquisite floated top A at the end of 'Addio del passato') is the worth the price of the set alone. Barbera's elegant, if rather light-voiced Alfredo is an ideal foil, and Lynch matches her emotional investment to the hilt in their great confrontation-scene.
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"Lisette Oropesa (born September 29, 1983) is an American operatic soprano of Cuban ancestry.[1] Her repertoire includes works from Gluck, Handel, Mozart, Rossini, Donizetti, Wagner, Verdi, Bizet, Massenet and Puccini. With her lyric coloratura soprano voice,[2] she has performed roles in her native Spanish and English, as well as German, French and Italian. She is particularly noted in the roles of Susanna, Gilda, Konstanze, Lucia and Manon.
Oropesa is a vegan, and runner/marathoner who has been featured in Runner's World Magazine.[3] In 2014, she co-contributed to Running, Eating, Thinking: A Vegan Anthology[4] by Martin Rowe, where she talked about her weight loss journey and how she now follows a plant-based diet.
In 2015, she was a contributor to Master Singers: Advice from the Stage which includes interviews with opera singers about "analysis and awareness of their technique, art, interpretation and stagecraft".[5]
Early life and education
Oropesa was born in New Orleans, Louisiana, and raised in Baton Rouge, Louisiana. Her parents emigrated from Cuba.[2]
She originally studied to be a flautist before her mother, a music teacher and former operatic soprano,[2] suggested she audition for the voice faculty at the Louisiana State University School of Music.[6] She joined the voice program under the guidance of Robert Grayson[7] who was the chair of the Voice/Opera at the LSU School of Music.[8]
Personal life
In 2008, Oropesa reconnected with her high school boyfriend Steven Harris on Facebook. In October 2012, they married in Tucson, Arizona, during performances of Lucia di Lammermoor at the Arizona Opera.[148] In 2019, she acquired Spanish citizenship.[149]"; Wikipedia (edited)
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