Daria Chebanenko Tchaikovsky Eugene Onegin Olga's Aria Ah Tanya, Tanya Ja nye sposobna k grusti
Daria Chebanenko (Contralto+Mezzo-soprano)
- Winner of the prestigious International Music Competition «Global Music Awards» (USA), bronze medalist. Laureate of numerous National and International Vocal Competitions.
- Judge of National and International Vocal Competitions.
- Many years of experience in stage and pedagogical work.
- Producer and director of the CBN television and radio company in Ukraine.
- Announcer of the National Radio Company of Ukraine, author and presenter of popular radio programs.
- Four higher educations: vocal (Kyiv Municipal Academy of Music named after R.M.Glier), directing (Kyiv National I. K. Karpenko-Kary Theatre, Cinema and Television University), conductor (Kyiv Municipal Academy of Music named after R.M.Glier, Kyiv National University of Culture and Arts).
Working voice range:
Fa in small octave – la in 2-line octave.
Voice characteristics:
- Saturated, deep notes in small octave, therefore, performs contralto parts.
- Brightly expressed chest resonance, covers all middle register.
- Outstanding low notes, moreover, has full-sounded head-register.
Exclusive qualities:
- Directing education and long standing experience give her ability to turn ordinary arias into real mini performance.
- Perfectly manages her body, has dancing knowledge and experience (folk, ballet, step dance), can combine academic vocal and show.
Special talents:
- Synthesis of academic vocal, true drama theatre, dancing, uses musical instruments such as piano and guitar, and partially can perform circus tricks such as juggling and acrobatic elements. In other words, all existing types of scenic art.
- In her program there are some amazing comic musical performances.
- Her brilliant talent can’t fit in old-fashioned and monotonous traditional representations. Thus she saves clear academic sound of bel canto.
The target audience:
- Spectator who is disappointed in similar static singers.
- Accessibility to the wide range of spectators: experienced amateurs of opera and unprepared listeners.
