TEMPLE OF THE DOG *COMPLETE CONCERT* MULTI-CAM
SAN FRANCISCO, CA - 11.11.16
BILL GRAHAM CIVIC AUDITORIUM
FILMED IN HD 1080 / RENDERED IN 60FPS & SYNCED W/ UPGRADED AUDIO SOURCE.
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TOTAL RUNNING TIME: 02:19:58 (APROX 140 MIN)
1. MAN OF GOLDEN WORDS PIANO INTRO...
2. SAY HELLO TO HEAVEN
3. WOODEN JESUS
4. CALL ME A DOG
5. YOUR SAVIOR
6. STARDOG CHAMPION
7. STARGAZER
8. SEASONS
9. JUMP INTO THE FIRE
10. FOUR WALLED WORLD
11. I'M A MOVER
12. PUSHING FORWARD BACK
13. HUNGER STRIKE
14. QUICKSAND
15. HEARTSHINE
16. RIVER OF DECEIT
17. HOLY ROLLER
18. REACH DOWN
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19 MAN OF GOLDEN WORDS
20. COMFORTABLY NUMB ( SNIPPET )
21. TIMES OF TROUBLE
22. ACHILLES LAST STAND
23. MISSING
24. FASCINATION STREET
25. WAR PIGS
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26. ALL NIGHT THING
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27. HEY BABY, LAND OF THE NEW RISING SUN (HENDRIX) 11.12.16
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ALL VIDEO FOOTAGE EDITED & AUDIO REMASTERED BY STEVE D.
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MANY THANKS TO THE FILMER'S WHO FILMED THE ENTIRE CONCERT:
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ADMIRALNEEDA (RYAN) 2ND ROW CENTER / RIGHT
JEFF LEMAS - RIGHT SIDE LOGE
STEVE HAGAR - STAGE SHOT DISTANT CENTER
STEVE D - FRONT ROW CENTER / LEFT
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MY THANKS TO THESE YOUTUBE SOURCES WHERE ADDITIONAL HD FOOTAGE WAS USED:
MATT CELLI (CALL ME A DOG, HUNGER STRIKE, RIVER OF DECEIT)
BIGKAT0812 (SAY HELLO TO HEAVEN)
GBAUER10 (PUSHING FORWARD BACK, REACH DOWN)
LAIRYGIRL (WOODEN JESUS)
GO SEE LIVE MUSIC (HEY BABY)
MY THANKS TO THE AUDIO TAPER, WHO DID AN EXCELLENT JOB!
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SPECIAL THANKS TO MFC172 FOR SOURCING VIDEO FOOTAGE AND THE AUDIO FOR THE PROJECT IN ADDITION TO FEEDBACK WITH EDITING.
THANKS TO DATFLY FOR THE USE OF HIS VIDEO CAMERA FOR THIS CONCERT.
ADDITIONAL THANKS TO VIDEOGREMMIE FOR HELPING TO PUT ME IN TOUCH WITH ONE OF THE FILMER'S, AND TO MATT RUSSELL FOR ADDITIONAL ASSISTANCE..
AS YOU CAN SEE NONE OF THIS IS A ONE PERSON TASK!
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Editing / Filming Notes:
My wife and I were able to attend 5 of the 8 shows on this tour. We still had the next night in San Fran, and two nights in Seattle to go, so I felt comfortable filming the entire concert, and not losing out on the experience. We had camped out and were first in line. We were against the rail in between Jeff and Chris. The stage was rather high, and I had security a few feet in either direction from me. In order to not flagrantly hold the camera up and to steady my arms, I used the rail to balance my forearms. Unfortunately by keeping the camera low and using the rail like this, it was extremely difficult for me to see the screen of the camera, do to the upward angle. This is why you see the bottom of the stage often on my angle, and heads of the security. I could not feel confident in zooming as much as I would have liked. Ryan's 2nd row angle compliments mine well, though he had many obstructions, I was able to edit them out, and only use the footage where it is clean. He zooms in often, and he has many amazing close ups that are brilliant. The result is hopefully clean and an unobstructed view of the action. Jeff's (Stone side) angle is great, as it is steady and gives us the contrast we need to move away from these other two angles, and is great during shots of drum fills and up tempo areas.. The distant shot that was provided by Steve Hagar was not shot in the highest bit rate, and was a little grainy and filmed from far away, but when there was very good light saturation it was awesome to see the light show and it was steady on a tri-pod.
These shows have been a dream come true for my wife and I. We listened to this CD every night to go to sleep for the first 10 years we were together. If we were still awake by the end of Reach Down it was a rare occasion! After 23 years together we enjoyed watching these moments together more than I could ever had imagined. Tears were shed from the first note of the first show to the last note of Seattle 2! it was everything I had hoped it would be!
I hope you all enjoy!
Steve
