A game within the game: that is how The Maids begins. For years, sisters Claire and Solange have been housemaids of their ‘madame’ in a large house in the city. In her bedroom, they take turns pretending to be madame. Madame has gone to prison to visit her lover who has been convicted based on false anonymous letters, which were written by the maids. And now the two sisters want to kill their mistress. They have devised a good plan, but will they be able to execute it?

‘I consistently focus my attention on female experience and perception. There aren’t many female directors and somebody has to do it. I feel like it is my responsibility.’ says Katie Mitchell. It is therefore not surprising that she is directing Jean Genet’s The maids at Toneelgroep Amsterdam.

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