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In the last two years, Fujifilm's new hybrid photo/video camera wave has some of the best video tech on the market. Other camera brands like Sony, Canon, and Panasonic offer a high-end production camera as the next evolution in their camera ecosystem. So, where does that leave Fujifilm? Will we ever see a complete video-focused production camera from this beloved company? The filmmaking community certainly wants it, but what's holding Fujifilm back?
Time will only tell, so in the meantime, here's my take and reasonable wish list for a Fujifilm production camera.
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Camera & lens cleaning kit
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My favorite Xmount Lense:
[ Ссылка ]
Rigging bits I use:
- Herphomes PL-GFX Mount: [ Ссылка ]
- (worth getting) Toprig S60 - [ Ссылка ]
Mid49 gear for the Kinefinity Mavo
- Mavo top mount adapter: [ Ссылка ]
- Right Side Plate: [ Ссылка ]
- ARCA Top Handle Kit + 15mm LW (for RED and Mavo): [ Ссылка ]
- Baseline 15mm LW: [ Ссылка ]
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Camera gear
XH2s: [ Ссылка ]
Sennheiser MKE 400: [ Ссылка ]
Misc gear
- OWC cfexpress type b card: [ Ссылка ]
- OWC Envoy Pro FX: [ Ссылка ]
- Smallrig Magic arm: [ Ссылка ]
- iFootage - [ Ссылка ]
- Speedball - [ Ссылка ]
- Ultra arm - [ Ссылка ]
- Nisi C5 - [ Ссылка ]
- Nisi VND - [ Ссылка ]
0:00 - intro
1:28 - Why should Fujifilm make a production camera?
3:55 - What kind of sensor?
5:19 - Processing power & Flog2
6:27 - Body style
8:04 - Xmount is the way to go
9:48 - Target market and price
Disclaimer:
Some links in the description are affiliate links, meaning I get a small compensation (at no extra cost to you) when purchases are made. Thank you for supporting the channel
#fujifilm #xh2s #cameragear
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