"Roger, like Don, would pretty much fuck anything that moves. He was drunk and Betty is beautiful. Sometimes for men like this, that’s all that matters."

Roger marks his territory and assert his dominance by getting Betty, Don’s own wife, to flirt with him and give him attention - in Don’s home. He metaphorically pees all over the place during that dinner. The next day he gives a cryptic apology where he won’t specifically say what he did, but he tells that story about parking at the wrong building and realizing he’s not at his home. Don acts confused about what Roger is apologizing for, but ultimately gives the "All is Forgiven" signal. That night he is still angry at Betty, with no mention of Roger’s admittance of guilt. It’s easier for Don to attack Betty than confront his boss. So he resorts to tricks with Roger and takes his anger out on Betty.

Mad Men takes seven seasons to try and answer the question: Who is Don Draper? And Don himself tries his utmost to answer the question himself, with no shortage of lies and denial. Don’s in the business of being in control. He strives to control how others perceive him and, through advertising, how others think about what they want in life. The show introduces Don as a creative genius, a man who has it all. He’s both a suburban family man and city playboy. He has a flashy Madison Avenue job and passion for his work. He navigates the chauvinism of the office with an aplomb that others don’t exhibit and, at least in the early seasons, it makes him come off as a gentleman.

Roger Sterling, Jr. is a senior partner and accounts executive at Sterling Cooper Advertising Agency in Manhattan, NY. He is a notorious womanizer and a heavy smoker and drinker until two heart attacks in the same year force him to slow down, at least for a while.

- Mr. Draper? Mr. Sterling to see you.
- Send him in.
- Something for the golf bag. That's the good stuff.
- I take it you got home in one piece.
- I made it as far as the Knights Inn off the Taconic.
- I know that place. It's got great water pressure.
- Yeah, I slept in the car. About last night.
- What about it?
- When a man gets to the point when his name's on the building, he can get an unnatural sense of entitlement.
- What does that mean, Roger?
- You're not gonna make this easy.
- I don't even know what this is.
- One night, years ago, I got very drunk. I drive home to my building, pull into the garage, park at my spot. I get in the elevator. It's late. There's no operator. Go up to the 12th floor. Get out. I'm walking down the hall. It's pink and orange. I remember how ugly it was. Suddenly, my key won't fit in the door. Wasn't my building. I guess what I'm saying is, uh... at some point, we've all parked in the wrong garage.
- Thanks for the bottle, Roger.
- And?
- Betty's going to want that glass back.
- Good man. Maybe I should get a case of those, huh?

- - -

- Hi, honey. I made a roast beef. Just cut the strings.
- Oh, roast beef? You know it's just me tonight, right?


Mad Men: season 1, episode 7: Red in the Face S01E07
Cast: John Slattery, Jon Hamm, January Jones

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