Little Richard’s 1957 debut launched the career of a foundational figure in rock music, and featured some of the artist’s best-loved hits, including “Long Tall Sally,” “Ready Teddy,” “Jenny Jenny” and “Tutti-Frutti,” a song which many consider to mark the birth of rock ’n’ roll. Celebrate the 60th anniversary of this classic record with the deluxe, remastered edition, which includes a slew of demos, outtakes and previously unreleased tracks, as well as new liner notes by GRAMMY®-nominated music editor and journalist Chris Morris.

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Little Richard had been making records for four years before he rolled into Cosimo Matassa's J&M Studio in New Orleans and cut the epochal "Tutti Frutti" in the fall of 1955, but everything else he'd done -- and much of what others had recorded -- faded into insignificance when Richard wailed "A wop bop a loo mop a lomp bomp bomp" and kicked off one of the first great wailers in rock history. In retrospect, Little Richard's style doesn't seem so strikingly innovative as captured in 1956's Here's Little Richard -- his boogie-woogie piano stylings weren't all that different from what Fats Domino had been laying down since 1949, and his band pumped out the New Orleans backbeat that would define the Crescent City's R&B for the next two decades, albeit with precision and plenty of groove. But what set Richard apart was his willingness to ramp up the tempos and turn the outrage meter up to ten; "Tutti Frutti," "Rip It Up," and "Jenny Jenny" still sound outrageous a half-century after they were waxed, and it's difficult but intriguing to imagine how people must have reacted to Little Richard at a time when African-American performers were expected to be polite, and the notion of a gay man venturing out of the closet simply didn't exist (Richard's songs were thoroughly heterosexual on the surface, but the nudge and wink of "Tutti Frutti" and "Baby" is faint but visible, and his bop threads, mile-high process, and eye makeup clearly categorized him as someone "different"). These 12 tunes may not represent the alpha and omega of Little Richard's best music, but every song is a classic and unlike many of his peers, time has refused to render this first album quaint -- Richard's grainy scream remains one of the great sounds in rock & roll history, and the thunder of his piano and the frantic wail of the band is still the glorious call of a Friday night with pay in the pocket and trouble in mind. Brilliant stuff. - All Music - Mark Deming

01 Tutti Frutti
02 True, Fine Mama
03 Can't Believe You Wanna Leave
04 Ready Teddy
05 Baby
06 Slippin' and Slidin'
07 Long Tall Sally
08 Miss Ann
09 Oh Why?
10 Rip It Up
11 Jenny Jenny
12 Baby (Demo)
13 All Night Long (Demo)

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