Splendid Rendition of Raag Lalit Pancham by Vidushi Dr. Ashwini Bhide Deshpande.
Accompanied by Shri. Bharat Kamat on Tabla, Shri. Suyog Kundalkar on Harmonium, Swarangi Marathe and Shruti Abhyankar on Tanpura.
This raga is the part of her performance in the concert called "Swarānubhuti" organized by Rithwik Foundation in February 2020 at Kothrud, Pune

00:00 - Ban Ban Basant : Vilambit Khayal
07:25 - Khelan Aye Shyam Mose Hori : Drut Khayal
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Raga: Lalit Pancham
Taal: Dhamar - Ban Ban Basant
Teental - Khelan Aye Shyam Mose Hori
Vocalist: Vidushi Dr. Ashwini Bhide Deshpande
Style: Jaipur-Atrauli Gharana
Tabla: Shri. Bharat Kamat
Harmonium: Shri. Suyog Kundalkar
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📝Lyrics:

************* Ban Ban Basant *************

बन बन बसंत फुली है,
नवेलरी डालरिया॥

बेल चमेली अरु चंपा,
बिखर करत सुगंध ,
चहुं दिसन फैलत सुहेलरिया॥

************* Khelan Aye Shyam **********

खेलन आये श्याम मोसे होरी,
गुलाल उडावत कंचन की पिचकारी॥

रंग अबिर की धुम मची है,
लाल आये केसर की भर जोरी॥
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About Artists:

Dr. Ashwini Bhide-Deshpande:
Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai.
Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati and Patiala gharanas, she has created her own musical style. She holds a strong command over the three primary saptaks.
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