One of the best approaches to make melodic lines with a synthetic scale like the diminished scale is to use the triads contained in the scale. In this lesson I am going to go over how I use triads for dominant 7th jazz licks and also go over some exercises to get some new ideas for your diminished scale licks.

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My other lesson on diminished scale on dominants:
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A short lesson I contributed to a collab on the diminished scale:
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