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In this video, Berklee Online Professor Susan Rogers explains critical bands and their relevance in understanding musical consonance and dissonance. With a graph of auditory filters across the frequency spectrum perceivable by humans, she demonstrates how the space between frequencies and how the bands they belong to will dictate how they will interact or interfere with each other.

About Susan Rogers:
Susan Rogers is a professor at Berklee College of Music in the departments of Music Production & Engineering and Liberal Arts, and is the director of the Berklee Music Perception and Cognition Laboratory. Susan holds a Doctorate in Psychology from McGill University; her research focuses on auditory memory, the perception of musical signals, and the influence of musical training on auditory development. For two decades prior to her science career, Susan was one of the world's few women known for her work as a record producer, engineer, mixer, and audio electronics technician. Career highlights include five years (1983-1987) as staff engineer for Prince, producing hit singles for diverse artists such as Barenaked Ladies, David Byrne, Robben Ford, Jeff Black, and Rusted Root, mixing hit singles for an equally eclectic list including Tricky, Michael Penn, Toad the Wet Sprocket, and Tevin Campbell, and engineering for a host more.

About Berklee Online:
Berklee Online is the continuing education division of Berklee College of Music, delivering online access to Berklee's acclaimed curriculum from anywhere in the world, offering online courses, certificate programs, and degree programs. Contact an Academic Advisor today:
1-866-BERKLEE (US)
1-617-747-2146 (international callers)
advisors@online.berklee.edu
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Psychoacoustics | Critical Bands | Auditory Filters | Frequency | Amplitude | Sound Waves | Consonance | Dissonance | Susan Rogers | Prince | Barenaked Ladies | David Byrne

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