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Bengal Foundation
Songs of Rabindranath Tagore
♦️ রবীন্দ্রনাথের গান ‘পুজা ও প্রার্থনা’ ♦️
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🔹Track List 🔹
1. Sakatare Oi Kadichhe ▶️ 00:00
Artiste: Shama Rahman
Parjaay: Puja O Prarthana
Taal: Ektaal
Raag: Karnati Bhajan
Written on: 1883
Notation by: Indira Debi Chowdhurani / Sarala Debi
Bhanga Gaan: Derived from a Kannada song Chaari Varsha Paryanta ....
Notes: Published in spring, 1884.
In the last decade of nineteenth century a few people in the Tthakurbari was having their hands with harmonizing songs. Rabindranath too was interested in the experiment. The Aasharh (June/July) number of 1301B (1894) of Saadhana contained the harmonized notation of the song Pathahaara tumi pothiko jeno go... In the same time in Bhaarati the notation of this song, harmonized by Sarala Devi was published. In her book Jiboner Jhorapaata (3 rd part, page 5) Sarala Devi has indicated to a positive interest the poet taken for the conversions -
... I was only twelve, Rabi-mama came to Kaasiyabaagan on my birthday, a manuscript copybook of Staff Notations in his hand. In a descent and bold handwriting it was inscribed on its cover 'Socatore - composed by Sarala'.
I had converted this song, a Brahma Sangeet written and composed by him to a typical Western instrumental 'piece'. A complete English piece, suitable for playing on a band or a piano. Hardly one could identify the song inherent within. It would be revealed only to a serious follower as the main theme was camouflaged behind chords and complicated variety of notes right through all three octaves.
It was written within my brain in layers. It would come out naturally whenever it was required. Rabi-mama handed over the copybook to me saying - 'Write it down before you forget.'
This seems to be an incident around 1884. Harmonizing songs did continue thereafter at Tthakurbari. Another such song being Shaanto ha re mamo chitto niraakul... Indira Devi had referred to an incident when the poet had asked her along with her elder brother, Surendranath, to compose a theme music for piano using the poem Nirjharer Swapnobhango written by him. He had also promised a prize for the best one.
2. Dao Hey Hridoy Bhore ▶️ 04:39
Artiste: Laisa Ahmed Lisa
Parjaay: Puja O Prarthana
Taal: Tritaal
Raag: Bhairav
Anga: Khayal
Written on: 1885
Notation by: Indira Debi Chowdhurani
Bhanga Gaan
3. Ke Janito Tumi Dakibe ▶️ 07:36
Artiste: Aditi Gupta
Parjaay: Puja O Prarthana
Taal: Dadra
Raag: Desh-Kirtan
Anga: Kirtan
Written on: 1900
Notation by: Sahana Debi
4. Mahanande Hero Go Sobe ▶️ 15:23
Artiste: Iffat Ara Dewan
Parjaay: Puja O Prarthana
Taal: Teyora
Raag: Tilak Kamod
Written on: 1901
Notation by: Kangalicharan Sen
5. Swarup Tar Ke Jane ▶️ 18:39
Artiste: Hiranmoy Chowdhury
Parjaay: Puja O Prarthana
Taal: Surphank
Raag: Kedara
Anga: Dhrupad
Written on: 1887
Notation by: Kangalicharan Sen
6. Khelar Sathi Bidaydwar ▶️ 21:48
Artiste: Farhin Khan Joyita
Parjaay: Puja O Prarthana
Taal: Baitalik
Raag: Pilu-Barwan-Thumri
Written on: 1923 (Phalgun 1329)
Notation by: Subhash Chowdhury
Bhanga Gaan
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Bengal Foundation has been promoting Bengali music for decades in order to nurture and uphold the musical traditions of Bengal. The Foundation releases a wide selection of Bengali albums to the public, conducts workshops, and well as create opportunities to train under distinguished musicians at the Bengal Parampara Sangeetalay. Bengal Foundation’s music programme also frequently organises a number of large scale music events which include the Bengal Classical Music Festival, the world’s largest classical music festival in terms of number of performers on a single stage, audience capacity and duration.
Bengal Foundation’s music programme aims to pave the way for better appreciation and understanding of the fundamentals of music; as well as to energise, influence and promote the music industry of Bangladesh.
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