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Pandit Ajoy Chakrabarty's sublime style of rendition has won him legions of disciples and ardent fans around the globe. Perfect diction, clarity in sur (musical notes) and gayaki (creative musical progression), command over all aspects of laya and rhythm, and an unmistakable interplay between notes and words to evoke the desired mood and emotions have created the hallmark of Pandit Chakrabarty's music.

The Pandit, on surmandal, began with a rendition set on a profound, melodious raga Yaman. The meditative khayal was on vilambit ektaal. An intimate bond between the devotee and the Divine was the essence of his bandish: “Sumaran Tora Tu Karim Tu Rahim Rab Tu Rahman”. The artiste called for the blessings of the Almighty through his rendition.

Pandit Ajoy Chakrabarty fashioned an illusion of notes and taan while presenting aang of various gharanas (schools of classical music) including Jaipur, Agra and Kirana. A bit of sawal-jawab with tabla artiste Indranil Bhaduri and harmonium artiste Rupashree Bhattacharya, followed. Brajeswar Mukherjee accompanied Pandit Ajoy Chakrabarty during the entire event.

For the practice and promotion of classical music in Bangladesh, Bengal Foundation organized an evening of classical music performance 'Mayar Madhuri' on 29th April 2012 at the main auditorium of the National Museum at Shahbagh, Dhaka.

Vocal support - Brajeswar Mukherjee
Tabla - Indrani Bhattacharya
Harmonium - Rupashree Bhattacharya
Tanpura -Bijan Chandra Mistry and Hassan Mahmud

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