In this episode of Bare Bones Camera, cinematographer Leigh Lisbão Underwood continues the discussion of the cinematography behind the short film FLIGHT, this time taking a look at the lighting approach and tools used to achieve a natural, cinematic look. Modern LED and HMI units are the focus, and the episode offers a discussion of the many uses for these tools, and also shares lighting diagrams straight from the cinematographer’s notes. This deep dive into the cinematography approach to the film (coming soon to the festival circuit) offers insight and inspiration for narrative filmmaking, on a tight budget but with ambitious aspirations, where cinematic images and visual style can be the key to storytelling for the big screen.

For more on the cinematography behind the short film FLIGHT, check out the last episode on Bare Bones Camera: SHOOTING FICTION IN ANAMORPHIC with ATLAS ORION and KINEFINITY MAVO LF.

Thanks to Kinefinity, Movcam and Atlas Lens Company for their support in the production of FLIGHT and these episodes for Bare Bones Camera.

Music used:
CROWN by Kuzzzo - from Fugue [ Ссылка ]
LOW by ELPHNT - Free Download [ Ссылка ]

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