Tarana is a vocal form in Hindustani classical music that uses rhythmic syllables to mimic the sounds of Indian percussion instruments like the tabla, pakhavaj, and mridangam. Originating during the Mughal period with influences from traditional Afghan music, tarana evolved in India through the extensive knowledge of local music traditions.
Key points about tarana include:
- *Rhythmic Ambience*: Tarana creates a rhythmic atmosphere by using tongue-twisting techniques to replicate percussion sounds, enhancing musical pieces without actual instruments.
- *Versatile Application*: It can be placed between verses to beautify songs, integrating well with both classical and contemporary music.
- *Vocal Technique*: Common syllables such as "da da da" and "tinta" are used, and the technique is similar to beatboxing in English.
- *Cultural Influence*: Figures like Guru Gobind Singh Ji contributed to its development, using mouth modulation to imitate instruments.
- *Fusion and Adaptation*: Tarana can be fused with Western music and various Indian music styles, showcasing its adaptability and innovative potential.
In essence, tarana enriches Hindustani classical music by blending rhythm and melody through vocal emulation of percussion instruments, offering a unique and intricate musical experience.
Beat Boxing : is the western type of Tarana, wherein , western rhythm instruments are emulated through the tongue or the tongue with vocal chords is variated to create a rhythm.
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TARAANA by Charanjeet Singh Chanderpal
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