Ludwig Philipp Scharwenka (16 February 1847, Samter, Grand Duchy of Posen – 16 July 1917, Bad Nauheim) was a German composer and teacher of music. He was the older brother of Xaver Scharwenka.
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Suite for Violin and Piano, Op. 99 (1896)
Dedicated: Frau Annie (?) Neumann-Hofer
1. Toccata (0:00)
2. Ballade (8:20)
3. Intermezzo (14:53)
4. Recitativ und Tarantella (18:26)
Natalia Prischepenko, violin and Oliver Triendl, piano
His many teaching obligations notwithstanding, Philipp Scharwenka stood in the front line as a composer and was recognised as such during his lifetime. His compositions include three Symphonies, Symphonic Poems, a Violin concerto, some Choral works (of which Sakuntala became very famous), the 4-act opera Roland, as well as numerous instrumental works such as Sonatas, Quartets, Caprices and Dances. Many of the major conductors of the period, including Arthur Nikisch, Anton Seidl and Hans Richter, performed his orchestral works. He is still known for his chamber works, including two piano trios, two trios for violin, viola, and piano, two violin sonatas, one viola sonata, one cello sonata, two string quartets, and one piano quintet.
In contrast to his brother's very extroverted compositions, Philipp's many-sided works have dreamlike and thoroughly moody inflections. His best-liked works are the chamber works beginning in 1896, which maintain traditional formal models and show considerable variety of melodic and rhythmical invention. In them Scharwenka achieved (despite the conservative restraints of the time in which he was writing) through very refined compositional techniques, something approaching an impressionistic tonal palette. These works found such distinguished interpreters as Willy Burmester, Julius Klengel and Moritz Meyer-Mahr.
One of his admirers was Max Reger, who in 1898 dedicated his Phantasiestücke op. 26 to him. In the context of the 37th Composer-Congress in 1900, his Dramatic Fantasy for Orchestra op 108, being crowned with a prize by the National German Music-Society, was performed in Bremen.
At the opening of the Scharwenka-Conservatory in Berlin, his brother Xaver entrusted to him in 1881 the direction of the Theory and Composition teaching, and then in 1891 that of the sister-conservatory in New York. Philipp however returned to Berlin in 1892 to take control of the Conservatory there, which in 1893 he merged with the Piano School of Karl Klindworth to form the Klindworth-Scharwenka Conservatory. This went on to become an outstanding institution in the musical landscape of Berlin. As Director of the Conservatory, Scharwenka remained active until his death in 1917. Otto Klemperer studied with him in Berlin, and Oskar Fried was another very distinguished pupil of his.
