What Do We Think?

This guitar gets exceptionally high marks from both our tech and our photographer. The consensus is that it sits just where a Strat should. The neck pickup is shimmery on top, dips a touch in the lower midrange and fills out nicely in the bass register. It’s big and spanky.

Shifting gears all the way back to the bridge, you’ll get your typical crisp attack and focused bottom end. But you’ll find a lot more when rolling back the second tone knob, wired to the bridge pickup. The pickups smooths out and thickens up very nicely with the tone rolled down a touch.

The Lollar Sixty-Fours have very balanced in-between positions. Neck/middle is tight and punchy. It is not overly “clucky” and even sounds killer with a bit of gain. There’s a nice natural compression present that gives soul to your overdriven tones. Don’t let anyone tell you that you’re playing too much Skynyrd. And that touch of compression will also make it incredibly easy to dial in your ‘90s country tones.

Neck/middle is wonderfully panoramic. It represents an extravagantly wide EQ and dynamic spectrum. Whether you are more SRV or Mayer, just work that tone knob a bit to find your sweet spot. This is a juicy in-between position that doesn’t filter out any frequencies to an extreme.

This guitar is exceptionally light for an alder body Strat, weight just 7.25 lb. The flame of the roasted maple neck is dynamic and 3-dimensional under the light, and the fretboard binding really sets the rosewood board apart. The aged Fiesta Red finish almost goes Tahitian Coral but not quite. And any way you cut it, it looks phenomenal over the 3-Tone Sunburst.


Check out this one and more in our store!
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