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Today we are going to learn how to use the diminished arpeggio in a non-neoclassical way.
First, we need to talk about the dominant chord in the context of a funky backing track. There's a lot of scales that we can use over the dominant seventh chord, but the most commonly used is the Mixolydian mode.
If we want a more outside sound we can start with the dominant arpeggio and then alter the remaining notes (flat second, perfect fourth and flat six), to obtain the Phrygian Dominant scale.
Lastly, if we take a look at the Phrygian Dominant scale diagram on the guitar neck. We will find a perfect diminished arpeggio a half step above the root and over the seventh degree of the scale.
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