In my recent adventure with the DJI Air 2S drone I landed in Twin Falls, Idaho to run some tests. I gained some insights that I think will make a difference, especially if you own an Air 2S.
Initially, I picked up this drone to capture some epic shots for a Stargate fan film project. I discovered the importance of investing in stronger ND filters for better exposure control, using a landing pad to protect the camera lens and drone, and upgrading to the DJI RC Controller for a more seamless flying experience. I share some color grading tips about filming in D-Log to capture a wider dynamic range.
Before taking off, I discovered the significance of double-checking all drone and camera settings to avoid any unwanted surprises. Exploring the various tracking modes of the drone, I found the parallel tracking feature to be particularly amazing, allowing me to set the drone on a path while I focused on other aspects of the shoot. It's crucial to fly within your comfort zone and gradually challenge yourself, ensuring safety and optimal results.
Using drones for film production has opened up endless possibilities for capturing cinematic shots. Interestingly, even platforms like Netflix allow 10% of non-certified camera footage in their films. With the DJI Air 2S drone setup, I'm confident in my ability to achieve the shots I envision for the Stargate fan film project without breaking the bank.
Subscribe to Make Art Now's channel here:
[ Ссылка ]
Chapters:
0:00 - Intro
1:00 - buy 6+ stop ND filters
1:41 - Buy a landing pad
2:10 - Buy the RC Controller
4:00 - Film in D-Log
7:01 - Check settings every time you fly
7:40 - Experiment with Tracking Modes
8:14 - Never Fly Beyond Your Comfort Level
8:42 - Final Thoughts
10:08 - Some Drone Shots
AMAZON LINKS (these are NOT affiliate links):
→ DJI Air 2S with flymore combo - [ Ссылка ]
→ The DJI RC Pro Remote - [ Ссылка ]
→ RC Pro Lanyard - [ Ссылка ]
→ RC Pro Sunhood - [ Ссылка ]
DOWNLOAD THE FREE LUTS:
→ DJI Air 2S downloads page (for DLog LUT) - [ Ссылка ]
→ DJI x7 D-Log to Rec709 - [ Ссылка ]
→ DJI Mavic 3 D-Log to Rec.709 V1 - [ Ссылка ]
→ DJI Mavic 3 D-Log to Rec.709 vivid V1 - [ Ссылка ]
→ DJI Mavic 3 Pro D-Log M to Rec.709 V1 - [ Ссылка ]
OTHER LINKS:
→ Make Art Now’s DJI Inspire 3 Review - [ Ссылка ]
→ Netflix camera requirements explained - [ Ссылка ]
→ DJI Air 2S sensor size - [ Ссылка ]
→ The difference between the X5 and X7 - [ Ссылка ]
→ Engadget article about Mavic 3 Pro and D-Log M - [ Ссылка ]
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Instagram - @charlesrnick
Facebook - @Charles-Nick-768475600003852/
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Gear Used to Make This Video:
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EDITING SETUP ——————————————————
Apple 16” MacBook Pro M1 Max
Davinci Resolve Speed Editor
LG 27UN850-W 27 Inch Ultrafine UHD
Bose Companion 2 Series II - old school, but I love them
FILMING SETUP ——————————————————
CAMERAS - Canon M50, Panasonic S5, Blackmagic 6k Pro
CAMERA MONITOR: Andycine C7 4K
MIC: Rode Video Mic Pro+
LENS on Canon M50: Canon EFS 18-55mm, F4-5.6
LENS on Panasonic S5: S-S50, 50mm F1.8
LENS on Blackmagic 6K pro: Sigma Art 18-35mm F1.8
KEY LIGHT: amaran 200d, 200W
FILL LIGHT: NL 660, 40W
RING LIGHT: Weeylite WE-10 - love this RGB light for the $
SHOULDER LIGHT: Came TV-Pro 300W
QUESTION? - If you have any questions please comment below and I will do my best to answer it and or make a video on it :)
CONTACT ME: Charles@jettradiorecords.com
This video is a Jett Radio Records production.
This video represents my personal opinion and is not sponsored or paid for by any brand or person.
