In today's jazz guitar chord lesson, we will discuss playing tritone substitutions on the I-VI-II-V progression. I go in-depth and learn how the tritone substitutions are really just altered versions of your regular dominant 7 jazz guitar chords.
This is really an extension of last week's lesson so check that out for context: [ Ссылка ]
First, we discuss playing tritone subs for the VI and V chords and the we go deeper and talk about how you can play tritone subs for every chord other than the I chord in a I VI II V guitar chord progression.
Please support the channel by buying some of my favorite jazz chord books through my amazon links:
Mickey Baker Jazz Guitar Book 1: [ Ссылка ]
Mickey Baker Jazz Guitar Book 2: [ Ссылка ]
Ted Greene Chord Chemistry: [ Ссылка ]
I post all of my guitar lessons to: [ Ссылка ]
0:00 Intro to tritone substitution for I VI II V jazz guitar changes
1:02 Tritone substitution for the VI and V chords
2:08 Example 1. Tritone Subs on the VI and V
2:18 Understanding how tritone substitution relates
2:55 The roots aren't really different
3:39 Example 2. common jazz guitar chord progression
4:30 They are really different alterations of the same chords
5:00 A7#9 and Eb13b5 are the same chord but one has a b5
5:36 More common guitar chord voicings for tritone subs
6:10 Example 3. common jazz guitar chord progression
6:22 A7 and Eb7 are the same chord but the root and b5 are switched
7.23 Example 4. common jazz guitar chord progression
8:20 Looking at it from a scale point of view
8:55 One more time... they are really the same chords!
9:33 Tritone substition for II7 and III7 guitar chords
10:07 Functional dominant chords can always be substituted
10:42 Example 5. Tritone subs on everything but the I chord
11:19 Example 6. More substitutions on everything but the I chord
11:54 You don't have to use this stuff!!
12:17 Goodbye :D
