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It would be somewhat of an understatement to say that the H9 was chock full of fun. Even without purchasing additional algorithms it offers more than most pedals in its price range. In fact, it offers so much I'm not even going to attempt to outline what it can do here; that's what their website is for. I will say, however, that the quality of the H9's sounds are pretty much second to none, thanks largely to the 40 odd years of premium digital sonic development at the Eventide HQ. This is a very serious and very capable stomp box.

I could only touch on the H9's features in a video like this so I've leaned towards the interaction of the H9 Control software and how it allows you to peer inside and control the H9 pedal. The pedal itself is ingeniously designed and marries an economic size with amazing functionality. I shall just have to expand on this video in future to show you some of the amazing sounds housed in this machine - I have no choice! (And it is VERY good fun).

Today's gear:

Guitar: Redhouse S-Style with Klein No.1 pickups
Amps: Marshall Bluesbreaker and Albion GS30C, both set clean, left and right.
Cables : Providence
Mic : Violet Design 'The Amethyst' (Marshall), Shure SM57 (Albion GS30C), Samson Airline77 (me)
Additional Effect: Wampler Velvet Fuzz
Camera : Canon 60D (me) and Sony HDR CX150 (pedal), Screenium (H9 Control capture)
Soundcard : AVID Mbox Pro 3
Computer : Apple iMac 27" i7 3.4 GHz 16 GB RAM
Software : Pro Tools 10 LE, Waves CLA Guitars (slight comp over input track), Waves L3-16 Limiter (to keep levels in check at output), Apple Final Cut Pro X (video editing and Youtube compression).

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