Questions concerning Music Distribution vs Music Publishing Administration comes up often. The question most asked is, “What’s the difference between music distribution and music publishing administration”? Which distributor should I choose? Do I need SoundExchange if I have Distrokid? Do I need SoundExchange if I'm a member of ASCAP? What is Songtrust? You will learn the differences in this video!

Artists and songwriters often get confused thinking, because they have music distribution, they don't need to register with a PRO, or they confuse music publishing administration and distribution by thinking they don't need SoundExchange. So in today’s video, I will answer these questions and more! Click to watch now!

UPDATE: Since the MLC opened its doors, the MLC now collects your mechanical royalties that Harry Fox and Music Reports used to collect from The DSPs. Music Reports and the Harry Fox Agency still collect mechanical royalties from companies that did not opt into the blanket license with the MLC. Harry Fox no longer offers free registrations. You must become a member to join. They also collect your mechanicals internationally.

UPDATE: CDBaby has closed its Pro division and has implemented CDB Boost in its place. Collecting from the MLC, SoundExchange, and Sync royalties.

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I am a Music Business Professional with 31 years as a Music Publishing Administrator! I specialize in Copyright Administration and Music Business Consulting.

All lessons are for educational purposes only and are not to be used as legal advice. Always consult with an Entertainment Attorney before signing any legal document or making any contractual decision.

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