I Was a Communist for the FBI is a 1951 American film noir crime film directed by Gordon Douglas starring Frank Lovejoy, Dorothy Hart, Philip Carey and James Millican.

It was also a radio show starring Dana Andrews with 78 episodes that ran from Apr 23, 1952 until Oct 14, 1953.

The film was based on a series of stories written by Matt Cvetic that appeared in The Saturday Evening Post. The stories were later turned into a best-selling book and radio series.

The story follows Cvetic, who infiltrated a local Communist Party cell for nine years and reported back to the Federal Bureau of Investigation (FBI) on their activities.

The film and radio show are, in part, artifacts of the McCarthy era, as well as a time capsule of American society during the Second Red Scare. The purpose of both is partly to warn people about the threat of Communist subversion of American society. The tone of the show is ultra-patriotic, with Communists portrayed as racist, vindictive, and tools of a totalitarian foreign power, the Soviet Union.

Matt Cvetic (Frank Lovejoy), who works in a Pittsburgh steel mill, has been infiltrating the Communist Party for the FBI in Pittsburgh for nine years. During this time he has been unable to tell his family about his dual role, so they believe he is a Communist and despise him.

He becomes emotionally involved with a Communist school teacher (Dorothy Hart), who is becoming disenchanted with the party. She breaks with the party when it foments a violent strike. Cvetic helps her escape the Communists in violent sequences in which two Communists and an FBI agent are killed.

Communists are portrayed in the film as cynical opportunists, racists who are interested only in seizing power on behalf of the Soviets and not in improving social and labor conditions in the U.S. They are shown exploiting ethnic tensions to get their way, such as by wrapping copies of a Jewish newspaper around lead pipes used to beat up people during a strike. They also are shown fomenting discontent among blacks. They are shown as cynical racists, calling blacks "niggers" and Jews "kikes".

The Communists in the film are also shown to be violent thugs who kill informers.

Cvetic ultimately testifies against the Communists before the House Un-American Activities Committee and reconciles with his brother and son.

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