Some machines will never deviate from their designated life mission. Others, like the LXR-02, can entirely reinvent themselves with just a modest push. Erica Synth's little digital drum machine is at heart a six-voice multitimbral synth. The controls are optimised for percussion but it's building blocks are entirely those of synths: Oscillators, envelopes, filters and LFOs. So you're not dressing BoBo the Smoking Chimp with rabbit ears and pretending it's the Easter Bunny. The LXR is already a capable synth.

So here I run through the construction of a couple of synth sounds, meander about through the options, get distracted, lament the poor onboard effects, and end up with a reasonable stereo bassy mid-thing. One small technical note of caution: If you're using a Keystep-37's arpeggiator to play the LXR you may need to go into the LXR's config options and filter the incoming MIDI to just be notes (a single "N" in the display). This is because the Keystep's "stop" command sends a CC51 message to the LXR which zeroes Voice 1's decay envelope.

If there's one area where the LXR-02 falls a bit short as a multi-track synth it's in programming and manipulating chromatic sequencer tracks. But a possible solution to that is in the next video...

0:00 Music intro
1:06 Why use it as a synth?
2:30 Which voice?
3:36 Config setup
5:08 Synth basics
7:50 Envelope shape
9:30 Second oscillator
10:20 Detune
12:00 Fiddlings
14:21 LFO
17:34 Stereo field
25:20 FX
27:47 Voice 5
29:27 Repeats
31:12 LFO & FM

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