Aruna Sairam performs at Isha Center during the auspicious festival of Maha Shivaratri - celebrated annually in reverence of Lord Shiva. It is the day He was married to the goddess Parvati.
Aruna Sairam commences the program with the ‘Sabhapatikku’ dedicated to the dancing Nataraja of Chidambaram. This krithi, composed by Gopala Krishna Bharatiyar, evokes a deep feeling of devotion towards Lord Shiva. "It is enough if we just once utter His name ‘Siva Chidambaram’. For attaining salvation nothing else is needed."
Raga: Abhogi
Talam: Rupakam - 6 beats
Composer: Gopalakrishna Bharathi (1811 - 1896)
Language: Tamil
**Artists**
Vocal: Aruna Sairam
Violin: Padma Shankar
Mridangam: J. Vaidyanathan
Ghatam: S. Karthick
Tabla: Chandrajit
Flute: Vishnu
Sitar: Kishore
**Namachivaya Lyrics**
Imai pozhudhum yennenjam neengaadhaan thaal vaazhga
Namasivaaya vaazhga, Naadhan thaal vaazhga
**Sabhapatikku Lyrics**
Sabhapatikku veru deivam samanamaguma Tillai
Kripanidhi ivaraippola kidaikkumo inda darani tanile
Oru daram Siva Cidambaran endru uraittal podume
Paragatikku veru punniyam panna venduma?
Ariyar pulavar muvar padam adaindar endre puranam
Arindu solla kettom Gopalakrishnan padum tillai
**About Aruna Sairam**
Aruna Sairam (Padma Shri) is a Carnatic vocalist, composer, collaborator, humanitarian, and speaker. In addition to her performances in India, Aruna has taken Carnatic music to the global arena, at prestigious venues including the Royal Albert Hall and Carnegie Hall. Currently Vice Chairperson of the Sangeet Natak Akademi, Delhi, she was appointed in 2008 by the Chief Minister of Tamil Nadu as Advisor to the Department of Culture. Aruna works towards the musical education of underprivileged students, through the Nadayogam Trust, which she founded in 2011. Aruna is grateful for the training she received under her mother Rajalakshmi Sethuraman and the legendary T. Brinda, and the mentorship from several masters throughout her musical journey. Her music erased geographic borders when she was the first to incorporate Abhang, a Western Indian musical form, into a traditional, South Indian concert.
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