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Sebastian's man-puberty phase is embodied in this piece of music. The first half is a sentimental theme in a new-age style, performed in a rubato feel. The mixed use of third and fourth degrees in some chords gives off naive vibes. The cadenza begins with a modulation towards the relative minor, F# minor, but is actually F#7. Then a chain of dominants comes that arrive at D minor.
![](https://i.ytimg.com/vi/O49LRvGzXKU/maxresdefault.jpg)