TOPICS:
0:00 - QUESTION on Lesson 12 ([ Ссылка ]) from Andrew FM: "Any tips on when to bring in and out different voices based on the time in the composition? Should all 4 voices come in at once and stay present, etc."
2:07 - Luca Marenzio (c.1553-1599) madrigal "Solo e pensoso i piú deserti campi"
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4:26 - J.S. Bach (1685-1750), The Well-Tempered Clavier - Book 2, Fuga nº 5 BWV 874
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7:03 - J.S. Bach (1685-1750), St. Matthew Passion, BWV 244 / Part Two - No.72 Choral: "Wenn ich einmal soll scheiden""
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12:06 - QUESTION on Lesson 24 ([ Ссылка ]) from Andrew FM: "Is it a pedal tone if its a common tone of the previous and following chords, but also a part of the current chord? or is just an inversion then?"
16:26 - Watch Lesson 19 (2nd Inversion Triads) for more information on the Pedal 6/4 chord: [ Ссылка ]
17:04 - QUESTION from Lesson 27 ([ Ссылка ]) from Andrew FM: "If you had a C major chord in the key of C, and the melody went from C to B to C, would you consider that a non chord tone or a C7 chord?"

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