𝙔𝙖𝙢𝙢𝙖 𝙀𝙣𝙨𝙚𝙢𝙗𝙡𝙚 - 𝙂𝙡𝙤𝙗𝙖𝙡 𝙃𝙚𝙗𝙧𝙚𝙬 & 𝙅𝙚𝙬𝙞𝙨𝙝 𝙢𝙪𝙨𝙞𝙘: 𝙩𝙧𝙖𝙙𝙞𝙩𝙞𝙤𝙣𝙖𝙡 & 𝙤𝙧𝙞𝙜𝙞𝙣𝙖𝙡
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𝗦𝗼𝗻𝗴 𝗼𝗳 𝗦𝗼𝗹𝗼𝗺𝗼𝗻 / 𝑺𝒐𝒏𝒈 𝒐𝒇 𝒔𝒐𝒏𝒈𝒔 בִּקַּשְׁתִּיו, וְלֹא מְצָאתִיו ᴀɴᴄɪᴇɴᴛ ʟᴏᴠᴇ ᴘᴏᴇᴍ نَشِيدُ الأَنَاشِيدِ
𝗜 𝘀𝗼𝘂𝗴𝗵𝘁 𝗵𝗶𝗺 𝗯𝘂𝘁 𝗱𝗶𝗱 𝗻𝗼𝘁 𝗳𝗶𝗻𝗱 𝗵𝗶𝗺 - new release from Yamma's 4th album
𝗧𝗼 𝗮𝘄𝗮𝗸𝗲𝗻 𝗹𝗼𝘃𝗲 2023
𝑻𝒂𝒍𝒚𝒂 𝑮.𝑨 𝑺𝒐𝒍𝒂𝒏 - lead vocals
𝑨𝒗𝒓𝒊 𝑩𝒐𝒓𝒐𝒄𝒉𝒐𝒗 - back vocals, double bass
𝑨𝒗𝒊𝒗 𝑩𝒂𝒉𝒂𝒓 - back vocals, guitar
𝒀𝒐𝒏𝒏𝒊𝒆 𝑫𝒓𝒐𝒓 - ney (middle eastern flute)
𝑵𝒖𝒓 𝑩𝒂𝒓 𝑮𝒐𝒓𝒆𝒏 - frame drum
lyrics: from the biblical book 𝑺𝒐𝒏𝒈 𝒐𝒇 𝒔𝒐𝒏𝒈𝒔 / 𝑺𝒐𝒏𝒈𝒔 𝒐𝒇 𝑺𝒐𝒍𝒐𝒎𝒐𝒏
(3, 1,2 + 2, 11)
composition & arrangement: 𝑨𝒗𝒊𝒗 𝑩𝒂𝒉𝒂𝒓 & 𝑻𝒂𝒍𝒚𝒂 𝑮.𝑨 𝑺𝒐𝒍𝒂𝒏
Recording at Ogen studio: 𝑺𝒉𝒍𝒐𝒎𝒊 𝑮𝒗𝒊𝒍𝒊
Mix: 𝑨𝒗𝒓𝒊 𝑩𝒐𝒓𝒐𝒄𝒉𝒐𝒗
Mastering: 𝑮𝒐𝒍𝒅𝒆𝒏 𝑴𝒂𝒔𝒕𝒆𝒓𝒊𝒏𝒈
Music Production: 𝑨𝒗𝒊𝒗 𝑩𝒂𝒉𝒂𝒓
Executive producer: 𝑻𝒂𝒍𝒚𝒂 𝑮.𝑨 𝑺𝒐𝒍𝒂𝒏
Guiding Arabic pronunciation: 𝑫𝙧. 𝑹𝙖𝒘𝙮𝒂 𝑩𝙪𝒓𝙗𝒂𝙧𝒂
- 𝘃𝗶𝗱𝗲𝗼 𝗽𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 -
Director of Photography & Editing: 𝑩𝒐𝒂𝒛 𝑹𝒂𝒃𝒊𝒏𝒐𝒗𝒊𝒕𝒄𝒉
Video editor: 𝑮𝒐𝒍𝒂𝒏 𝒀𝒂𝒎𝒊𝒏
Make up: 𝑹𝒊𝒎 𝑹𝒐𝒔𝒉𝒓𝒐𝒔𝒉
Light designer: 𝑬𝒓𝒆𝒛 𝑩𝒆𝒏 𝒀𝒆𝒉𝒖𝒅𝒂
ending calligraphy logo - 𝑨𝒗𝒓𝒂𝒉𝒂𝒎 𝑩𝒐𝒓𝒔𝒉𝒆𝒗𝒔𝒌𝒚
Hebrew master scribe and calligraphy artist
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בִּקַּשְׁתִּיו, וְלֹא מְצָאתִיו
מתוך האלבום הרביעי: לעורר אהבה 2023
טליה ג. סולאן - שירה
אברי בורוכוב - קולות רקע, קונטרבס
אביב בכר - קולות רקע, גיטרה
יוני דרור - נאי
נור בר גורן - תוף מסגרת
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מילים: שיר השירים
עיבוד ולחן: אביב בכר, טליה ג. סולאן
מיקס: אברי בורוכוב
הקלטה: שלומי גווילי, אולפני העוגן
מאסטרינג: גולדן מאסטרינג
הפקה מוזיקלית: אביב בכר
הפקה: טליה ג .סולאן
הנחיית הגייה ערבית: ד״ר ראוויה בורבארה
מגילת שִׁיר הַשִּׁירִים הראשונה בקובץ חמש מגילות שב"כתובים" בתנ"ך. זוהי סדרה של שירי אהבה בין בני זוג, גבר ואישה, הפונים זה אל זו. במסורת חז"ל נתפרשו שירים אלה באופן אלגורי, כמשל ליחסי עם ישראל ואלוהיו. במסורת הנוצרית מופיע פירוש אלגורי דומה, הרואה במגילה דימוי ליחסי ישו והכנסייה הנוצרית. מגילת שיר השירים השפיעה רבות על השירה העברית ועל הספרות העולמית.
The Song of Songs also Song of Solomon is one of the megillot (scrolls) found in the last section of the Tanakh, known as the Ketuvim.
It is unique within the Hebrew Bible: it shows no interest in Law or Covenant or the God of Israel,
it celebrates passionate love, giving "the voices of two lovers, praising each other, yearning for each other, proffering invitations to enjoy .
The two are in harmony, each desiring the other and rejoicing in sensual intimacy;
the women of Jerusalem form a chorus to the lovers, functioning as an audience whose participation in the lovers' erotic encounters facilitates the participation of the reader.
In modern Judaism the Song is read on the Sabbath during the Passover, which marks the beginning of the grain-harvest as well as commemorating the Exodus from Egypt.
Jewish tradition reads it as an allegory of the relationship between God and Israel, Christianity as an allegory of Christ and his bride, the Church.
Song of songs. The song of Solomon. fifth or fourth century comprises a collection of profane love songs and epithalamia. Song of songs - Many waters cannot quench love
نَشِيدُ الأَنَاشِيدِ - مِيَاهٌ كَثِيرَةٌ لاَ تَسْتَطِيعُ أَنْ تُطْفِئَ الْمَحَبَّةَ
The Song of Songs stands alone within the biblical canon:
a highly sensual book within the body of sacred Scripture, a love song to an unknown lover, rich with enigmatic, evocative images that tease the senses even as they confound them.
It is a slippery text that resists all simple readings, and even as it weaves together phrases that resonate with other biblical passages it stands apart from them.
This loveliest, most enigmatic poem of the Hebrew Bible inspired later poets. Perhaps most famously, its language colors, the lyrics (sacred and otherwise) of the great medieval Andalusian poets: Solomon ibn Gabirol, Abraham ibn Ezra, and Judah Halevi among them.
a question that might rise: Is it a religious work, or a secular text, or were such distinctions meaningless in the world of antiquity?
While in recent decades the question of the Song’s sacred or profane nature has been hotly debated, for most of the last two millennia the answer to this question has seemed obvious:
the Song is in the Bible, ergo it must be “religious.” Indeed, the second-century Jewish sage, Rabbi Akiva, described the Song of Songs as the holiest of scriptures,
saying that “all the scriptures are holy but the Song of Song is the holy of holies”
The Song of Songs has a long history of being read as a religious text, but “secular” readings of the work (or, more precisely, interpretations that do not assume the text is a religious allegory) are also possible, and in recent decades have become common.
