As a preview to my ClassicsToday.com Insider Subscriber video featuring Eugen Jochum's 10 Best Recordings, I consider the need to market music by other than musical means, and in particular, by using conductors' nationalities as an indicator of their supposed interpretive expertise. Are we missing something great by organizing careers around these purely coincidental assumptions? Think about it, and if you haven't already please also think about becoming a ClassicsToday Insider member by following this link: [ Ссылка ]

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