The textile artist Chung-Im Kim’s three-dimensional wall pieces often explore the emergent form of the organic intertwining with the man-made, like the integration of sea life with the submerged ceramic vessels of a sunken ship.
Kim relishes the beauty and sheer phenomenon of these meetings and collaborations between nature and man-made objects.
Employing industrial felt and a seam stitching method used in traditional Korean Bojagi quilts, Kim explores themes of change and the evolution of time through the three-dimensional potential and pliability of her medium.
Negotiating Diaspora: From the Personal to the Universal at Oeno Gallery: [ Ссылка ]
