What we can expect from Carnage CGI scenes in Venom 2
The epic Venom films couldn’t exist without the incredible CGI added. Whether it was to fill in a scene, create the look of explosions and fire or to bring the other-worldly Venom creature to life, the visual value and quality brought to the films are nothing short of impressive.
When it came to animating Venom and all the bits we see appearing throughout the films moving toward the major transformation, CGI specialists had to create animations for literally every single frame any Venom elements were involved in. The reason for this was to make sure the transformation looked seamless and real.
Taking a look behind the scenes, what looks effortless for the characters in some scenes is the result of a whole lot of work from multiple departments, especially the stunt crew, set crew and practical effects team. When the out of this world characters take to the screen, the reality on set involves a lot of harnesses, wires and strategic planning. A major reason the added visual effects work out so well is because of the commitment from Tom Hardy when he was performing - each scene got 110% commitment. This combined with the intricate CGI make for some epic moments.
The motorcycle chase sequence in the first Venom movie included a ton of elements, but if it weren’t CGI the scene likely wouldn’t have been possible! Visual effects added to the scenery and played a key role in a major Venom tendril moment that ends up keeping Hardy’s character out of harm’s way - at least for a little while! No matter how small the details were, the visual effects team did not fail to impress with their work on Venom.
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Chapters:
00:00 Intro
00:26 Carnage Arm Grab
00:57 Shape Shifting
01:29 Street Lift
01:59 Car Leap
02:26 Blank Firing
02:47 3 vs 1
03:18 Face Off Fist
03:44 Motorcycle Chase
04:44 Tendril Takeover
05:05 Motorbike Jump
05:38 Motorcycle Sandwich
06:05 Cycle Slide
06:30 No Weights (Venom)
06:50 Big Throws (Venom)
07:19 Window Jump (Venom)
07:42 Outro
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Written by: Thalia GK
Narrated by: Serena L
Edited by: Joaquín Carvalho
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