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This plugin has three main components: STEED, FILTERS and CHAMBER; REVERB is the volume of the Chamber effect.

The FILTER section has high and low pass filters (before the chamber) and a bell filter that can boost the presence area from 2kHz to 10kHz. In many cases this is enough to make any instruments sit in the mix. Since we are using the plugin in 100 wet we can use the filter and EQ section to EQ the signal.

STEED is basically a tape delay. Use FEEDBACK to add repetitions and achieve the depth that best suits your song and add DRIVE to impart character. Move one of the DELAY value indicators down until they say OFF, turn LINK off and enter a value in only one of the indicators. You will get a HAAS effect type of stereo spread.

Now add a bit of REVERB to blur the differences between the right and left sides and move the instrument further towards the back of the stage (the technique simulated by this plugin is particularly effective for that). The more REVERB is added further back the instrument is moved in the background.

Combined with the FILTERS and STEED the chamber effect gives you the most effective tools used to create 3D and depth in a mix.

Click this link to save an additional 10% off Abbey Road Chambers at Waves: [ Ссылка ]

From the website:

From beautiful natural chamber reverb to surging delay cascades, the rich sounds of the legendary Abbey Road Studio Two echo chamber are now at your fingertips, complete with Abbey Road’s long-lost S.T.E.E.D. setup.

The Abbey Road Chambers plugin recreates a defining part of the studios’ legendary sonic signature – the echo chamber used by Abbey Road’s pop engineers to create exciting reverbs, delays and other unique spatial effects on countless classic recordings by the Beatles and beyond.

Developed together with Abbey Road Studios, Waves’ Abbey Road Chambers puts you at the controls of the Studio Two echo chamber, complete with the original valve Neumann KM53 microphones and Altec 605 speaker, as used on almost every pop recording done at Abbey Road during the 60’s.

Abbey Road Chambers also gives you an additional set of the original filters going into the chamber – EMI’s RS106 hi/low pass filter and the EMI RS127 Presence EQ – to further sculpt the perfect chamber sound.

Also featured is a complete recreation of Abbey Road Studios’ original S.T.E.E.D. (Send. Tape. Echo. Echo. Delay.) setup – a system designed to extend the chamber’s natural sonic palette into new territories, by splitting the signal and creating a feedback loop from the studio’s REDD console, through a dedicated tape delay, via RS106 and RS127 filters, and then to the chamber and back.

As a bonus, the plugin also includes two additional legendary spaces: Abbey Road’s famed Mirror Room, and the Stone Room from Olympic Studios, London.

Abbey Road Chambers is designed in a modular fashion: You can send your tracks just to the chamber, or you can isolate just the S.T.E.E.D. effect, or you can combine both for the full range of sonic possibilities opened by the original Abbey Road setup.

From natural chamber reverb, to authentic tape delay, to complex hybrid effects – the door to the one-of-a-kind vintage acoustics of the Abbey Road chambers is finally open.
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True-to-life capture of Abbey Road’s legendary Studio Two echo chamber
Created in collaboration with Abbey Road Studios
Shape effects from natural chamber reverb, to authentic tape delay, to complex hybrid effects
Complete modeling of Abbey Road’s original S.T.E.E.D. setup
Dedicated EMI RS106 and EMI RS127 EQs to further sculpt the chamber effect
Your choice of additional spaces: Abbey Road’s Mirror Room and Olympic Studios’ Stone Room
Choose classic or modern speakers, including Abbey Road's original Altec 605
Choose vintage or modern microphones, including Abbey Road’s original Neumann KM53
Variable mic and speaker positions
Artist presets by Dave Pensado, Jacquire King, Guy Massey and many more

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