the original radio recording of the first show of Elvis and the blue moon boys on the louisianna hayride of two that evening.
this show gave him a year contract to appear every saterday on the louisianna hayride, which was once a month broadcasted with a wide range of listeners.
the contract made elvis quit his job and so it is said this was the start of his carreer as an artist.
this is where johnny cash and buddy holly first saw him play and got inspired by him!

all rights reserved to RCA/SONY and EPE Ltd.

story behind this appereance.

The Blue Moon Boys, Elvis, Scotty, and Bill were on the road. They washed their faces (everybody waited while Elvis combed his hair), and then begun their round of Shreveport's music scene.

They met with T. Tommie Cutrer, a local DJ, who played Elvis' music on his radio show. T. Tommie had recently been in a car accident and was still convalescing an amputated leg.

Undaunted, he regaled the boys with stories and promised to get out the word on their concert that evening. Next they paid a visit to Pappy Covington, the Hayride's grand-fatherly booking agent, who made the boys feel like up-and-coming stars. Then it was over to Stan's Records on Texas Street. Stan Lewis, the owner, was the major independent record distributor in the area. They made sure there was a bin for Elvis Presley.

From there it was a short walk to Shreveport's Municipal Auditorium, the home of the Hayride. Shreveport was much like Memphis. A spirit of racial toleration prevailed alongside Jim Crowe laws segregating the races. Shreveport was a relatively open city allowing a crossover of black and white music.

Municipal Auditorium was a modern facility with good acoustics, at 3,800 seating capacity much bigger than the Grand Ole Opry's Ryman Auditorium where they had performed just two weeks before. The Auditorium had a large wrap around balcony; the main floor had folding chairs that were taken up to accommodate dances and basketball games. Backstage were large dressing rooms and a spacious area for performers to mingle. Admission to the Hayride was sixty cents for adults and thirty cents for children.

The Hayride has a storied history. Its first broadcast was April 3, 1948. It was broadcast live on Saturday nights from Shreveport on KWKH, a 50,000 watt clear station reaching 28 states.

It was also on the CBS radio network to 198 affiliates across the country. Renowned for musical innovation, many country stars made their debut on the program including Hank Williams, Faron Young, Slim Whitman, Kitty Wells, Webb Pierce. Jim Reeves, the Carlisles, David Houston, and Elvis Presley. So many artists got their start on the Hayride that it was referred to as 'The Cradle of the Stars'. The great Hank Williams was a regular on the Hayride during 1948-49, and then again in 1952 until his death.

The Hayride was a raucous, enthusiastic crowd, typically the balconies packed to the rafters. There were a number of colleges and universities in the Shreveport area as well as Barksdale Air Force Base. The Hayride drew from this young audience as well as the avid East Texas music scene. Microphones placed in the crowd picked up the Auditorium's excitement for the radio broadcasts.

Emcee Frank Page introduced Elvis who was standing against a painted backdrop of a willow tree and barn. The call letters of the station, KWKH, and a Louisiana Hayride banner stretched across the scene. Overhanging was a Lucky Strike cigarette banner with the logo LSMFT, Lucky S trike Means Fine Tobacco. Elvis was in a pink jacket with black shirt and colorful tie, white pants, and two-tone shoes. Scotty Moore and Bill Black were in western shirts.
Whether it was Elvis' stage fright or the originality of his act before a new audience, his performance was flat much like his Grand Ole Opry debut a few weeks previous.
Elvis huddled with Sam P hillips during intermission. Sam exhorted Elvis to be himself, do his own kind of show; all he could do was fail and that would happen anyway if he didn't loosen-up.
The second show was different. It was a young crowd hungry for excitement. A huge cheer went up from the first bars of That's Alright Mama. It wasn't country music, it was rock n' roll and the audience loved it. On their feet, clapping and dancing, the crowd rode the thunderous beat. They didn't want Elvis to stop. Gyrating like a dervish, Elvis burned That's Alright Mama and Blue Moon of Kentucky. The Hayride had birthed its greatest star.
On 6 November 1954, Elvis signed a contract to appear on the Louisiana Hayride every Saturday night for a year. Gladys and Vernon Presley came to Shreveport to witness the contract because Elvis was underage. He was nineteen years old. Elvis was paid eighteen dollars per performance and Scotty Moore and Bill Black twelve dollars each. The Hayride became the foundation of Elvis' early rise to stardom.

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