Tone capture of the unique voiced Orange Rockerverb 50 MKIII, a master of all trades as the Rockerverb Series demonstrates better than anything else that a workhorse amp can be exactly that, a master of all trades. The original Rockerverb was actually Orange's first ever ‘high gain’ amplifier, with a unique voice that quickly became a firm favourite amongst the heavy crowd. However, its supreme versatility and dependability meant the series has been a mainstay for touring artists and session aces, both on the road and in the studio.
The Clean channel has been revoiced on the new MKIIIs for a more ‘chimey’ response, but still retains the warmth and vintage character of a non-master volume design. The new models now have even greater headroom than previous versions, whilst the valve driven spring reverb now has a more extensive range with a brighter trail. Add to this a host of other hidden refinements and you have the finest sounding and most feature-laden Rockerverb to date.
The original Rockerverb gained a cult following on account of its iconic high gain tones. The MKIIIs of course continue this tradition, but these amps are immensely flexible. The Dirty channel goes anywhere from clean to crunch to the very heaviest modern saturation, and always maintains outstanding clarity. The non-master volume Clean channel has been re-engineered to take on a more ‘sparkly’ and ‘crisp’ nature but with greater control through a revoiced two band EQ section. The MKIIIs have even greater headroom and volume in full power mode should you need it, but this can now be manipulated with the amp’s output power and Attenuator controls.

An approach for an EQ behaving like the SHAPE knob was followed in order to capture that iconic SHAPE control of the Orange amps. The tone captures for the Orange Rockerverb 50 include:

Channel A, clean sound
Channel B, crunch sound (25% Shape)
Channel B, crunch sound (50% Shape)
Channel B, crunch sound (75% Shape)
Channel B, distortion sound (0% Shape)
Channel B, distortion sound (20% Shape)
Channel B, distortion sound (40% Shape)
Channel B, distortion sound (60% Shape)
Channel B, distortion sound (80% Shape)
Channel B, distortion sound (100% Shape)

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Performed by Angel Dan Agg
Produced by Angel Dan Agg

Guitars used:
Fender Pawn Shop 72
Fender VG Stratocaster
Custom Tele
Harley Benton TE-90FLT VW
PRS SE Soapbar

(RAW AUDIO CLIPS ONLY, NO POST-PROCESSING EFFECTS)

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