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Talk about superfunkinfragelistic. The Spatial Delivery has the moves, grooves and definitely the oeuvre factor. The envelope filter component can take you up or down, depending on your instrument and mood. The Sample and Hold filter (middle toggle position) is very reminiscent and worthy of comparison to the classic and rare Oberheim VCF-200 - a particular favourite of mine and one good reason why I'll be hanging onto the Spatial Delivery. You can fine tune your sweep action with the Range, Filter and Resonance knobs. There's little in the autowah/envelope/sample-and-hold realm you will not be able to achieve with the Spatial Delivery.

This pedal, ladies and gents, is a LOT of fun.

Today's tools:

Guitar: 2010 Gibson CS '61 SG Standard (Les Paul) Reissue with Tyson Tone TTL-2 PAF's
Amp: Laney VH100R and 2x12 Greenback loaded cab
Extra effects: N/A
Cables: Providence and Montreux (Japan)
Power Supply: Voodoo Lab MONDO
Mic: Violet Design The Amethyst (Laney); Samson Airline77 (me)
Camera: Canon 60D (me) and iPhone 6+ (pedal)
Soundcard: AVID Mbox Pro 3
Computer: Apple iMac 27" i7 3.4 GHz 16 GB RAM
Software: Pro Tools 12.4, Waves CLA Guitars (slight comp over input track), Waves L3-16 Limiter (to keep levels in check at output), Apple Final Cut Pro X (video editing and Youtube compression).

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