KHello boy
Yes, boy, boy, boy
You are the son of the king
With delicate lips, hands like the hands of the minister
Oh my God forgive him he's still young
Lo loy loy Lo loy loy Lo loy loy
Yes, boy, boy,
Your stature is graceful as a shepherd's stick
Your eyes are as black as the eyes of a snake
My house is like a wall of children
Lo loy loy Lo loy loy Lo loy loy
Yes, boy, you are the source of sunlight
Little by little, it gets dark if you go
Oh, my home, the passion of Khalil Ali's heart
is attached to the prince's daughter
Lo loy loy Lo loy loy Lo loy loy
Yes, boy, boy,
I'm not sorrowful and I'm not a beggar
Of all the young boys, my heart is attached to one
My eyes are strange
And my heart is a beggar
Lo loy loy Lo loy loy Lo loy loy
1902 Diyarbakır
Danûk, a group of exiled Middle Eastern musicians come together on Morîk to reignite a shared consciousness of the value of homeland through the rediscovery of centuries-old sounds. Danûk manifests archived phonograph recordings of Kurdish folklore and wedding songs that have been preserved in wax cylinders and discs for more than a hundred years in The Berliner Phonogramm-Archiv and The Phonogrammarchiv of the Austrian Academy of Sciences, into phenomenal auditory icons of profound cultural heritage and identity. The album was produced by Michael League (Snarky Puppy) with the support of the British Arts Council, in 5-time Grammy Award-winning League's Studio 20.
Morîk, released via Omni Sound is a flawless, rhythmic homage that resurrects a treasured past at the axis of the present and future. Made by Austrian and German explorers at the start of the 20th century, sounds of a Syrian priest singing in Jerusalem (“Axir Zemana” , “Lo Lo Li Mino”) Kurdish shepherds’ songs, and locals singing Kurdish folklore in Sendshirli excavated sites (present-day Turkey) (“Xelîlo Lawo”, “Lê Lê Mi Go”), are recomposed, giving new life to the aural aesthetics of a multicultural time and place. Four songs adapted from the wax cylinder and disc recordings and five traditional Kurdish folklore and wedding songs (“De Çêkin”, “Finciko”, “Şewqo”, “Girê Sîra”, “Lo Şivano”) transmit an aural experience of inflexible symbolism. Morîk, meaning pearl, resonates with the band’s discovery of light and meaning from what might have been forgotten.
Credits:
Producer: Michael League
Recording engineer: Michael League
Mixing: Michael League Mastering: Grant Livesay
Composer: Anonymous Arrangement: Michael League & Danûk
Cover Art: Zeycan Alkış
Graphic Design: Ulaş Eryavuz
Archival Music Research by Maria del Mar Marais
Recording Musicians:
Ferhad Feyssal: Vocals
Hozan Peyal: Buzuki, Electric Saz
Tarik Aslan: Def, Bendir, Dahol, Darbuka, Raq, Bombo Legüero, Vocals
Yazan Ibrahim: Flamenco Guitar, Electric Guitar
Ronas Sheikhmous: Bilur, Mey, Zurna
Michael League: Acoustic bass guitar, Def
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