THE GEAR I USE:
*Some of the following links are affiliate links, so if you decide to purchase something, I get a very small commission at NO extra cost to you - Thanks in advance for supporting the channel!
CAMERAS:
My Main Cam (Lumix S5ii)
[ Ссылка ]
My B-Cam (Lumix S5)
[ Ссылка ]
My C-Cam (Lumix S1)
[ Ссылка ]
PRIME LENSES:
Panasonic LUMIX 24mm F1.8
[ Ссылка ]
Panasonic LUMIX 35mm F1.8
[ Ссылка ]
Panasonic LUMIX 85mm F1.8
[ Ссылка ]
ZOOM LENSES:
Sigma 28-70 F2.8
[ Ссылка ]
Panasonic LUMIX 16-35 F4
[ Ссылка ]
Panasonic LUMIX 70-200 F4
[ Ссылка ]
AUDIO SETUP:
Rode NTG4+
[ Ссылка ]
Tascam DR60 MKii
[ Ссылка ]
Hollyland Lark 150
[ Ссылка ]
LIGHTING SETUP
Godox LA200d
[ Ссылка ]
Colbor CL60
[ Ссылка ]
Godox SL60w
[ Ссылка ]
Smallrig Softbox
[ Ссылка ]
DESK & COMPUTING
My Main Computer (Mac Mini)
[ Ссылка ]
Laptop (M1 Pro MacBook Pro 1TB)
[ Ссылка ]
Computer Monitor (Viewsonic ColorPro VP2786-4K)
[ Ссылка ]
Logitech Craft Keyboard
[ Ссылка ]
Logitech M590 Mouse
[ Ссылка ]
Samsung T5 SSD 1TB
[ Ссылка ]
SanDisk G-Drive 6TB
[ Ссылка ]
The Black Magic Pocket lineup of cameras have always been pretty popular amongst the indie film maker community who wanted the best quality for the lowest price. I still feel like there is a place for the BMPCC6K, and BMPCC6K Pro cameras for those who are looking for a more 'cinema' centric camera, but after trying out the BMPCC6K Pro and comparing it to my Lumix S5 (of which can now also shoot BMRAW), I've kinda come to the conclusion that there's more downsides than upsides to the Black Magic offering.
The BMPCC6K Pro has some awesome features of course, like internal ND's, extended I.O compared to the Lumix S5 and a generally more refined interface for video shooters, but the size, ergonomics and sheer goofiness of this camera makes it really hard for me to see myself using it as an asset for my business.
The Lumix S5, just like the other Full Frame Panasonic bodies can now output BMRAW via HDMI, so if you were looking to use that BMRAW codec then both cameras will serve you just fine. The plus side to the S5 however is the bigger sensor and the more 'user friendly' ergonomics and build quality.
You can easily rig up the Panasonic S5 with monitors, cages and put it on pretty much any gimbal with ease, but you can't do that with the BMPCC6K/6K Pro without some tinkering and mcGuivering.
If you're unsure about what your next video camera should be, then this video should help you quite a lot, but if you already know that the BMPCC6K Pro has features that you would die without then your mind is already made up, so this video is more so for those who have been on the fence.
The L-Mount system generally is becoming more and more diverse in terms of its lens offerings and price point, but of course, the EF mount is still one of the most universal and cheapest mount options out there.
Thank you for watching this video, and hopefully you find it useful!
BMPCC6K Pro VS Lumix S5 - Are The Pocket Cameras Obsolete?
Теги
Panasonic S5 BMRAW examplesPanasonic S5 vs BMPCC6K ProLumix S5 vs BMPCCBMPCC6K Pro reviewBMRAW comparison BMPCC 6K and Lumix S5Panasonic S5 Raw outputBMPCC6K Pro example footageLumix S5 RAW outputHow to output RAW from Panasonic S5BRAW vs ProRes RAWPanasonic S5 RAW output settingsBlack Magic Pocket Cinema6K footageBlack Magic RAW editingBMPCC6K Pro ReviewPanasonic S5 BM RAW videoLumix S5 reviewAF testPanasonic AF settingsJosh Cameron