Which of these midrange RF Monsters, the Canon 28/70mm F/2.0 or the Canon 50mm F/1.2 wins in a head to head?
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Heads up! This is a completely independent and honest review. My posts may contain affiliate links. If you buy something through one of these links you won't pay a penny more, but I'll get a small commission, which helps to keep this station going. Thanks!
DISCLAIMERS
This video was not paid for by outside persons or manufacturers.
No gear was supplied to me for this video. I purchased this gear to test for myself.
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If you're interested in contacting Bryan for work please email me at
thedeafdirector@gmail.com
CHAPTERS
0:00 Setting the Battleground
0:26 Why Compare These Lenses
1:02 Test Parameters
1:17 Environmental Test #1
3:15 Environmental Test #2
5:19 Studio Setup
5:50 STUDIO TEST #1
6:50 CHART TEST
8:15 Individual Strengths
9:35 Minimum Focus Distance
10:48 Size & Build
12:24 AutoFocus
13:25 Final Verdict
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Bryan Redding is an award-winning Cuban American Cinematographer and Director based in Athens, Georgia. He loves being on set and sharing his knowledge. In addition to his love of cinematography, Bryan has complete high range hearing loss which, according to his audiologist, leaves him functionally deaf in certain environments, hence making him the Deaf Director. This has not stopped Bryan from continuing his passion on set and behind the camera, and he uses his experience with his physical condition to propel his unique vision.
The content of this video and my opinions were not reviewed or paid for by any outside persons.
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