I. Allegro non troppo e molto maestoso - Allegro con spirito 0:00
II. Andantino semplice – Prestissimo – Tempo I 21:09
III. Allegro con fuoco 28:38
Martha Argerich, piano
Charles Dutoit, conductor
Royal Philharmonic Orchestra
Fairfield Halls, Croydon, U.K.
December, 1970 (Released 1971)
"Martha Argerich is an Argentine pianist known for her recordings and performances of chamber music, particularly of works by Olivier Messiaen, Sergey Prokofiev, and Sergey Rachmaninoff. A prodigy, Argerich was performing professionally by age eight. In 1955 she went to Europe, where her teachers included Friedrich Gulda and Arturo Benedetti Michelangeli. She won two prestigious competitions in 1957 at age 16: the Geneva International Music Competition and the Ferruccio Busoni International Piano Competition. In 1965 she won the Chopin Piano Competition in Warsaw. The next year she made her debut in the United States in the Great Performers series at Lincoln Center for the Performing Arts in New York City. Her exceptionally brilliant technique, emotional depth, and élan won her an enthusiastic international following. She performed around the world and dedicated most of her career to collaborative chamber music, notably with Latvian violinist Gidon Kremer, with whom she produced a number of award-winning recordings. Other musicians with whom she performed and recorded include pianists Alexandre Rabinovitch and Nelson Freire and cellists Mstislav Rostropovich and Mischa Maisky.
Argerich was the recipient of many honours and prizes, including three Grammy Awards (1999 and 2005 [best instrumental soloist performance (with orchestra)] and 2004 [best chamber music performance]). In 2005 she received the Japan Art Association’s Praemium Imperiale prize for music and the Order of the Rising Sun from the Japanese government. Beginning in 1999 a piano competition in her name was held annually in Buenos Aires, and from 2001 she directed a music festival in her name, also in Buenos Aires. In 2016 she received a Kennedy Center Honor, an American award that celebrates the arts."
"Swiss conductor Charles Dutoit was known for his extensive repertory, yet he excelled in the 20th-century classics and the music of French composers such as Hector Berlioz and Maurice Ravel. As a long-term music director of the Montreal Symphony Orchestra, Dutoit encouraged new Canadian composers, opera productions, and recordings.
Charles Édouard Dutoit was born in Lausanne, Switzerland, on Oct. 7, 1936. Mathematically inclined as a boy, he grew interested in music when he was 11, and—after trombone lessons were halted at his father’s insistence because they were too loud—by age 13 he was taking violin lessons. Although he played in a neighborhood orchestra, he did not take music seriously until he heard the works of the composer Igor Stravinsky and became fascinated by their complicated structure. He soon entered the Lausanne Conservatory, from which he graduated at age 17, and then enrolled at the Academy of Music in Geneva, where he studied conducting and switched from the violin to the viola. He continued his studies in Italy and elsewhere. In 1958 he joined the Lucerne Chamber Orchestra as a violist, and in 1959 he was named choral conductor at the University of Lausanne, where he stayed until 1963.
Dutoit made his debut as a conductor in 1963 with the Bern Symphony Orchestra in a performance of Stravinsky’s The Rite of Spring. The following year he was named assistant conductor, and he was music director from 1966 to 1978. From 1967 he toured widely as a guest conductor at orchestras throughout Europe, South America, and Japan. He was conductor of the Zurich Radio Orchestra from 1964 to 1966, the Zurich Tonhalle Orchestra from 1966 to 1971, the National Symphony Orchestra of Mexico from 1973 to 1975, and the Göteborg Symphony Orchestra, in Sweden, from 1976 to 1979. By the time Dutoit was named conductor and music director of the Montreal Symphony Orchestra in 1977, he had worked with more than 150 orchestras. He rapidly remade the Montreal orchestra into one of the world’s most important; it toured regularly and recorded extensively. From 1991 to 2001, while continuing his duties in Montreal, he was chief conductor of the National Orchestra of France in Paris, and from 1996 he was chief conductor of the NHK Symphony Orchestra in Tokyo, becoming conductor emeritus in 2004. Dutoit left the Montreal Symphony Orchestra in 2002. In 2008 he became the chief conductor and artistic adviser of the Philadelphia Orchestra."
Remastered By: Wayne Yang, USA-Taiwan
