Sepultura - Ratamahatta (Lyrics on Screen Video 🎤🎶🎸🥁)
Favorite Parts: 0:21 0:38 2:14
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Favorite Lyrics: "Porra!"
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This song is dope as fuck. The first time listening to this album I didn't expect to hear a track like this on it. The tribal sounding drums are awesome and really add to the feel of the song. Combining the tribal percussion and the heavy guitar sounds great, something special to Sepultura. I like how they use a Brazilian language (Portuguese I'm told) for this song to pay homage to their nation (even if the lyrics aren't many hehe). From reading the translated lyrics this song I think is about living in a shit hole of a town haha. I never would have guessed! Enjoy!
🎤 Lyrics Start 🎤
[Intro]
Um, dois, três, quatro
[Segue: Max Cavalera]
Uh, uh, uh, uh, uh, uh, uh, uh
[Verse 1: Carlinhos Brown & Max Cavalera]
Biboca garagem favela, biboca garagem favela!
Fubanga maloca bocada, fubanga maloca bocada!
Maloca bocada fubanga, maloca bocada fubanga!
Favela garagem biboca, favela garagem biboca, porra!
[Segue: Max Cavalera]
Um, dois, três, quatro
Uh, uh, uh, uh, uh, uh, uh, uh
[Verse 2: Max Cavalera]
Zé do Caixão, Zumbi, Lampião
Zé do Caixão, Zumbi, Lampião
Zé do Caixão, Zumbi, Lampião
Zé do Caixão, Zumbi, Lampião
[Pre-Chorus: Carlinhos Brown]
Hello uptown, hello downtown
Hello midtown, hello trench town
[Chorus: Carlinhos Brown & Max Cavalera]
Ratamahatta, mahatta hatta mahatta, ratamahatta mahatta ttattattattattatta (Hello)
Ratamahatta mahatta ttattatta (Hello)
Ratamahatta mahatta ttattatta (Hello)
Hatta mahatta mahatta (Hello)
Hatta mahatta mahatta (Hello)
[Interlude: Carlinhos Brown & Max Cavalera]
Vamos detonar essa porra
É, porra!
Hatt hatt, hatta mahatta, hatt hatt hatt hatta mahatta, hatt hatt hatt hatta mahatta hatta, hatta hatt hatt
[Guitar Solo]
[Bridge: Carlinhos Brown & Max Cavalera]
Hello uptown, hello midtown
Hello downtown, hello trench town
[Chorus: Carlinhos Brown & Max Cavalera]
(Hello) Ratamahatta mahatta
(Hello) Hatta mahatta hatta mahatta
(Hello) Ttattattattatta
(Hello) Mattatta
🎤 Lyrics End 🎤
***Wikipedia Stuff***
Since its release, Roots has sold over two million copies worldwide.[3][4]
Much of Roots references Brazilian culture, history, lore, and politics, either directly or indirectly.[7][21] According to Max Cavalera, "Roots Bloody Roots" is "about believe in yourself, about be proud of your heritage, proud of where you come from. Really powerful but simple lyrics. So it's really about just be down with your own roots and believe in your roots".[23] (In a 1996 MTV Europe clip, Max Cavalera explained the meaning behind the song as: "Don't give in. What you believe is for life, even if people try all the time to change you. The song is about 'don't let the bastards grind you down.'")[7]
Roots is the sixth studio album by Brazilian metal band Sepultura. It was released in Europe on February 20, 1996 and in the U.S. three weeks later on March 12 by Roadrunner Records. It is the band's last studio album to feature founding member and vocalist/rhythm guitarist Max Cavalera.
Following the shift to slower tempos and Latin-tinged rhythms on the album Chaos A.D., Roots delves even further into Brazilian musical textures and features significant contributions from iconic Brazilian musician Carlinhos Brown, who guided and arranged the sections throughout the album that feature ensemble percussion playing. Both in sound and overall aesthetic, Roots is also a conscious nod to Brazil's marginalized indigenous population and cultures. The song "Itsári" features a Xavante chant that re-appears on the song "Born Stubborn" and serves as a loose thematic thread for the whole album, which on the whole showcases the band's increased affinity for experimentation and collaboration.
"Lookaway" features guest appearances by Korn vocalist Jonathan Davis, then-Korn drummer David Silveria, House of Pain/Limp Bizkit turntablist DJ Lethal, and Faith No More/Mr. Bungle vocalist Mike Patton. Riff-wise, Roots also draws influence from the then-surging nu metal movement, specifically Korn (whose first two albums were also produced by Roots producer Ross Robinson) and Deftones.[1][2] After leaving the band, Max Cavalera would continue to pursue the nu metal and "world" stylings of Roots with his solo project Soulfly.
Roots is the product of a concerted effort on the band's part to embrace its Brazilian heritage.
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