The location of the video shoot was Quebec City , Canada , Featured in the video are supermodels Ayeza Khan and Danish Taimoor
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Movie: Asli Naqli (1962)
Song: Tera Mera Pyar Amar
Starcast: Dev Anand, Sadhana, Nazir Hussain, Leela Chitnis, Sandhya Roy, Anwar Hussain, Mukri and Keshto Mukherjee
Singer: Lata Mangeshkar
Music Director: Shankar Jaikishan
Lyricist: Shailendra
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Asli-Naqli (transl. Real and Fake) is a 1962 Hindi film produced by L.B Lachman and L.B Thakur. The film is directed by Hrishikesh Mukherjee and stars Dev Anand, Sadhana, Leela Chitnis, Anwar Hussain, Sandhya Roy and Keshto Mukherjee. The film's music is by Shankar Jaikishan and the lyrics by Hasrat Jaipuri and Shailendra. The film became a box office hit.
Hrishikesh Mukherjee as a director comes to maturity in this film and develops a signature style of healthy family entertainment. This film follows one of his earlier successes, Anari.
There is a scene in which Nazir Hussain praises the workmanship of an artifact to Dev Anand when the latter is disturbed. The same scene would be repeated by Hrishikesh Mukherjee in the film Namak Haram (1973), between Om Shivpuri and Amitabh Bachchan.
In this film, in a lone scene, Motilal, the character actor gives a brilliant performance by advising Dev Anand to let things go, rather than to control them. He asks Dev Anand in the club to hold sand in his palm and tells him: "If you would try to hold on to the sands, these would escape through your fingers. But if you keep your palm open, they would stay undisturbed."
In the scene when Sadhana is teaching English to the slum dwellers, she asks Dev Anand to spell and pronounce 'No' and gets into a funny argument about english pronunciations. A similar situation is repeated in 1975 film Chupke Chupke between Dharmendra and Om Prakash.
The film is refreshing with brilliant acting by all the cast and is very competently directed by Hrishikesh Mukherjee.
This film's story is partly inspired by The Definite Object, a 1917 romance novel by the British writer Jeffery Farnol.
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