Some excellent reference material on the PERRO sessions:
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"Loser" (8' 41"): The timing includes several restarts and Jerry explaining - and indeed demonstrating - the chord progression to his colleagues, who could well be Crosby, Lesh and Papa John*. There's certainly a violin in here and it works especially well, counterpointing the three guitars most effectively.

DETAILS
On 8/23/91 a copy of the several PERRO reels were compiled onto a DT 120 DAT on request by Paul to Graham (since the tapes where kept in the latter's vault) for a copy.

When the Crosby, Stills & Nash box-set was being put together, some mystery reels were found.
All of the CSNY tape collection was brought in to one place for the first time, including personal collections of Barncard, Joel Bernstein, Nash and Stills. One of the PERRO tapes had a small pipe with weed in it and somebody smoked it! It was still good.

The material on the PERRO tapes was very interesting, but had nothing to do with CSNY. There were 4 reels of 2 track mixes made in 1971 during the sessions (obviously there is more that has never been mixed). The tapes were put into storage in Nash's vault.
Paul called Nash in 1992 and requested DATs of those tapes. This was the first time they had been outside of the CSNY organization. They were copied at
A&M Post Production audio and my personal DAT was made at that time.

The roots of PER&RO go back a lot further than 1971. 1 guess it had its inception in the early years of the '60s (prior to the Airplane, the Byrds et al) when Kantner, Crosby and Freiberg used to hang out, play music, get high and rap together around Venice Beach. That was the initial bond, the start of it all.

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