Analog film photography aims at creating tangible physical photographs. When digital files feel shallow and disposable, a genuine old-fashioned silver print elevates photography to a permanent preservation of an event, to a physically unique object, and even art.
But it comes with a cost. It is not easy, it is slow, and it requires time and space not always availably in the busy life we live in.
Each and every print is unique, everybody works in her darkroom in her own way, and there is no right or wrong. This is a snapshot of my process and even more some of my consideration while working in my very humble and primitive, yet functional darkroom.
If you want to see tutorials and “how-to” videos, check these out from Ilford.
-A good summary of the entire process, tools, and techniques: [ Ссылка ]
-Dodging and burning: [ Ссылка ]
-About split grade printing: [ Ссылка ]
