MALEVOLENT CREATION Live at the Fenix Underground February 17, 1999 Seattle, WA - Full Hour - Will update setlist ASAP!...
Brett Hoffmann - Vocals
Rob Barrett - Lead guitar
Phil Fasciana - Rhythm guitar
Gordon Simms - Bass
Dave Culross - Drums
The origin of Malevolent Creation can be traced back to their formation 1987 in Buffalo, NY. There they made and gave away 100 copies of their first legendary demo tape, taking their first sue-footed step into the death metal underground. Their 1988 move to Florida set the stage for the recording of their second demo which pressed 1000 copies, establishing them as legitimate contenders in the field. On this second demo, Malevolent Creation used a new drummer and also addd John Rubin on guitar. The next year saw another drummer change with Mark Simpson taking position at the skins. With their strongest lineup at that point, a third demo was recorded leading to a deal with Roadrunner and the release of their first full length album, 1991's "The Ten Commandments".
In 1992, Rubin and Simpson were replaced by longtime pals Rob Barrett on guitar and Alex Marquez on drums for their second album, 1992's "Retribution". On 1994's "Stillborn" release Rubin rejoined the band and drummer "Crazy" Larry Hawke was hired, replacing Marquez and Barrett. After the 1994 tour to support "Stillborn", Hoffmann left the band and bassist Jason Blachowicz assumed the vocal duties while Dave Curloss was hired for drum duty, further illastrting the bands revolving door policy. Fasciana makes no excuses for the continual membership changes, stating "If your too slow, you've got to go." Personal and personnel problems have never stood in the way of the thundering war machine known as Malevolent Creation, and those who were injured in battle and left behind must be content with the knowledge that they were part of this behemoth for even a short time. "The Fine Art of Murder" marks the triumphant return of Malevolent Creation in true feral prowess. The album is a scarring bestial ambush of utter terror and brawn, as their musical knife is whetted once again on the stone of all things weak and trendy. The 13 songs represent nearly one hour of bulldozer riffing, supersonic drumming and inhuman vocals. The murdering continues and Malevolent Creation returns to grab you by the face and drag you one step further into damnation.
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