Michel's intrgiguing black & white series is a wonderfully imaginative exploration of photography rooted in physics. He tells us: 'The change from three to two dimensions is a constitutive part of the photographic act. We accept that a photograph maintains a resemblance, despite the fact that it has lost all depth and materiality. Although this never leads to confusion between the real and the representation we do however, react as if we are faced with this landscape, this space, and not with its image. This series elaborates hybrid and fanciful creatures, images of images, representations of representations, resonances of echoes. The visible thus becomes minimalistic, ghost-like, a fiction.'

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