If writing music for music licensing, production music, music libraries or stock music, music for film, TV and games, should you register your music with your performing rights organization, such as ASCAP, BMI, SESAC, PRS for Music, APRA, SOCAN, etc? For music copyright, should you do this to copyright your music? Does this mean a track is now officially copyrighted?
If you are a music composer or music producer looking to make money from music by licensing music, music royalties and copyrights are important. Who registers music is a very important aspect to understand.
Professional TV composer and music library owner Michael Kruk takes you through the essential aspects of P.R.O. track registrations for music licensing.
Click the link below to get 3 FREE lessons from the "Library Music That Sells" master course. (Which has contributors from BMG Production Music executives through to award winning TV editors and 6-figure-a-year composers.)
"A great resource for students of the art AND experienced composers..."
-Mark Suozzo, co-director of Film Scoring, NYU.
"Michael's tutorials offer valuable insights..."
-Vasco Hexel, Area Leader in Composition for Screen,
Royal College of Music
"Library Music That Sells... ...a vast course packed with useful information and tips that would be hard to find elsewhere. Awesome."
-MusicTech Magazine
CLICK BELOW FOR YOUR 3 FREE LESSONS:
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Please note that nothing in this video constitutes legal advice of any nature and professional, independent legal assistance should be taken before signing any contract.
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