This re-mix is a phenomena. The fused songs go through FOUR different key changes. //I noticed that Erasure's cover of the Burt Bacharach song literally took-off from the key of the Perry Como version. To explain, at about halfway thru the song, the key modulates by one step. Meaning the song begins in one key, but ends one step up. Interestingly, Vince Clarke (of Erasure) started his song from the END of the Perry Como recording. So, what I have done here in my remix is, I seamlessly synced both songs together, to where it my remix actually winds up modulating thru FOUR different keys. (I marked these changes in the music video). Perry Como starts sining the song in C#, but by the time it's over, the song literally finishes off in F#. // Even more amazing is that Vince Clarke (Erasure) kept the EXACT same tempo of the Perry Como recording. It was really weird. It's almost like Erasure was waiting for someone to put the two songs together. I had wanted Burt Bacharach to see hear my mix, but he died just a few DAYS before finished my music video! Now i only hope Vince Clark and Andy Bell will get a chance to see this!

See my note-to-color music theory, and my Theory of Pitch Psycholoy on my main uTube channel, The Acoustic Rabbit Hole: [ Ссылка ]

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